Artheon MuseumArtheonMuseum

A gasping woman on the ground with her hands raised to her head, from a broadside entitled 'Gaceta Callejera'

A gasping woman on the ground with her hands raised to her head, from a broadside entitled 'Gaceta Callejera' by José Guadalupe Posada

Medium

Type-metal engraving

Dimensions

Sheet: 4 1/8 × 4 5/16 in. (10.5 × 11 cm)

Classification

Prints

Department

Drawings and Prints

Museum

Metropolitan Museum of Art, New York, NY

Credit

Gift of Jean Charlot, 1930

Accession Number

30.82.69

Rights

Public Domain

Tags

Women

Art Historical Context

In the turbulent world of late 19th-century Mexico José Guadalupe Posada captured the raw drama of everyday life through his bold prints. This 1893 type-metal engraving titled *A gasping woman on the ground with hands raised to her head comes from the broadside *Gaceta Callejera* ("Street Gazette"), a cheap, sensational news sheet sold by vendors to inform and thrill the public. Posada, a master of Mexican popular graphic art, used these broadsides to depict crimes, disasters, and social upheavals during the Porfiriato era under President Porfirio Díaz, blending satire with stark realism. The small print (just over 4 inches square) shows a woman in agony, collapsed and clutching her head, her expression frozen in terror. Rendered in type-metal—a durable relief printing technique ideal for mass production—Posada's stark black lines and exaggerated poses evoke the urgency of breaking news. His style, influential in the Mexican print tradition, foreshadowed the revolutionary graphics of Diego Rivera and others, making high art accessible to the masses. This poignant image highlights women's vulnerability in Posada's world, reflecting cultural anxieties around urban violence and calamity. Donated to the Metropolitan Museum of Art in 1930, it remains a vivid window into Mexico's street-level storytelling.

About the Artist

José Guadalupe Posada · 18521913

José Guadalupe Posada (1852-1913) was a Mexican printmaker and engraver who revolutionized popular art and created some of the most iconic images in Mexican culture. Working primarily with publisher Antonio Vanegas Arroyo, he produced over 20,000 images during his career—inexpensive broadsheets sold for a penny on colored paper that made his art accessible to even the poorest workers. He transform...

    Send Feedback

    We use this only to reply to your feedback.