A girl with two faces
ca. 1880–1910
Medium
Type-metal engraving
Dimensions
Sheet: 4 13/16 × 3 1/4 in. (12.2 × 8.2 cm)
Classification
Prints
Department
Drawings and Prints
Museum
Metropolitan Museum of Art, New York, NY
Credit
Gift of Jean Charlot, 1930
Accession Number
30.82.68
Rights
Public Domain
Tags
Art Historical Context
Behold *A Girl with Two Faces*, a captivating type-metal engraving by the legendary Mexican printmaker José Guadalupeada, created around 1880–1910. This petite sheet, measuring just 4 13/16 × 3 1/4 inches, depicts a girl with dual faces—a whimsical yet eerie motif that plays on themes of duality, perhaps evoking folklore, identity, or human complexity. Posada, a master of popular Mexican graphic art, produced thousands of such images for affordable broadsheets (*hojas volantes*), making art accessible to everyday people during Mexico's turbulent Porfiriato era and lead-up to the Revolution. The technique of type-metal engraving, a relief printing method Posada favored, allowed for sharp lines and mass reproduction on inexpensive newsprint. This small-scale print exemplifies his bold, satirical style, blending humor with social commentary through exaggerated features and fantastical elements. Often macabre or grotesque, Posada's works critiqued politics, death, and daily life, influencing modern Mexican artists like Diego Rivera. Today, this piece resides in the Metropolitan Museum of Art's Drawings and Prints department, a generous 1930 gift from Jean Charlot. It invites us to ponder the multifaceted nature of the human spirit, a hallmark of Posada's enduring legacy in Latin American printmaking. (198 words)
About the Artist
José Guadalupe Posada · 1852–1913
José Guadalupe Posada (1852-1913) was a Mexican printmaker and engraver who revolutionized popular art and created some of the most iconic images in Mexican culture. Working primarily with publisher Antonio Vanegas Arroyo, he produced over 20,000 images during his career—inexpensive broadsheets sold for a penny on colored paper that made his art accessible to even the poorest workers. He transform...