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A man wearing bloomers and a hat looking through merchandise

A man wearing bloomers and a hat looking through merchandise by José Guadalupe Posada|José Sanchez

Medium

Zincograph

Dimensions

Sheet: 4 3/4 × 6 7/8 in. (12 × 17.5 cm) Image: 3 1/4 × 5 1/16 in. (8.3 × 12.8 cm)

Classification

Prints

Department

Drawings and Prints

Museum

Metropolitan Museum of Art, New York, NY

Credit

Gift of Roberto Berdecio, 1960

Accession Number

60.678.19

Rights

Public Domain

Tags

MenWomen

Art Historical Context

In the bustling print culture of late 19th- and early 20th-century Mexico, José Guadalupe Posada created this whimsical zincograph, *A Man Wearing Bloomers and a Hat Looking Merchandise* (ca. 1880–1910). Posada, a master of popular illustration, was renowned for his satirical broadsheets that poked fun at society, fashion, and daily life during the Porfiriato era. This small-scale print (image: 3¼ × 5⅛ in.) captures a dapper yet absurd figure—a man in loose bloomers (then associated with women's undergarments) and a stylish hat—browsing goods, likely commenting on shifting gender norms or fleeting trends in Mexico City's markets. Zincography, Posada's preferred technique here, involved etching designs onto zinc plates for affordable, high-volume reproduction via lithography. This allowed his biting, black-line drawings to flood newsstands as *corridos ilustrados* (illustrated ballads), blending text and image for the masses. Housed in The Metropolitan Museum of Art's Drawings and Prints department (gift of Roberto Berdecio, 1960), the work exemplifies Posada's influence on Mexican graphic art, foreshadowing modern satire and inspiring artists like Diego Rivera. Though humble in size, it reflects Posada's genius for humor and social observation, inviting viewers to chuckle at the era's eccentricities while preserving a vivid snapshot of everyday Mexican culture.

About the Artist

José Guadalupe Posada|José Sanchez · 18521913

José Guadalupe Posada (1852-1913) was a Mexican printmaker and engraver who revolutionized popular art and created some of the most iconic images in Mexican culture. Working primarily with publisher Antonio Vanegas Arroyo, he produced over 20,000 images during his career—inexpensive broadsheets sold for a penny on colored paper that made his art accessible to even the poorest workers. He transform...

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