A new theater model, from 'Theater sketches,' published in Le Petit Journal pour Rire, January 30, 1864

Art Historical Context

Honoré Daumier, the masterful French caricaturist of the 19th century, captures the theatrical world with sharp wit in *A New Theater Model*, from his *Theater Sketches* series. Published on January 30, 1864, in the satirical weekly *Le Petit Journal pourire*, this lithograph Daumier's role as a keen observer of Parisian society during the Second Empire. Known for over 4,000 lithographs skewering politics, class divides, and cultural pretensions, Daumier here likely lampoons innovative—or absurd— theater designs, poking fun at the era's booming entertainment scene amid urban modernization. Rendered as a lithograph on newsprint in the second state of two (per Delteil), the work measures a compact 9 5/16 × 8 11/16 inches for the image, ideal for affordable mass distribution. Lithography's greasy crayon technique allowed Daumier to achieve expressive lines and dynamic compositions, blending caricature's exaggeration with incisive social commentary. Printed on ephemeral newsprint, it reflects the democratizing power of illustrated journalism, bringing elite satire to everyday readers. This piece from The Metropolitan Museum of Art's Elisha Whittelsey Collection highlights Daumier's enduring legacy in prints, inviting us to chuckle at 1860s theatrical follies while appreciating his influence on modern editorial cartooning. A timeless reminder of art's bite in critiquing culture!

About the Artist

Honoré Daumier · 1810–1879

Honoré-Victorin Daumier (1808-1879) was a prolific French printmaker, caricaturist, painter, and sculptor whose works offered incisive commentary on the social and political life of 19th-century France. Known as the 'Michelangelo of Caricature,' Daumier produced over 4,000 lithographs, 500 paintings, 1,000 drawings, and 100 sculptures during his lifetime. His biting political satire led to his imp...