A profile of a man looking to the right with a dark mustache
ca. 1880–1910
Medium
Woodcut
Dimensions
Sheet: 4 5/16 × 4 15/16 in. (11 × 12.5 cm) Image: 15/16 × 11/16 in. (2.4 × 1.8 cm)
Classification
Prints
Department
Drawings and Prints
Museum
Metropolitan Museum of Art, New York, NY
Credit
Gift of Roberto Berdecio, 1960
Accession Number
60.678.47
Rights
Public Domain
Tags
Art Historical Context
Behold the incisive simplicity of *A Profile of a Man Looking to the Right with a Dark Mustache*, a woodcut by José Guadalupe Posada, Mexico's beloved master of popular printmaking (ca. 1880–1910). Posada, active during the turbulent Porfiriato era the lead-up to the Mexican Revolution crafted thousands of bold, black-and-white images for broadsheets, newspapers, andidos—narrative ballads that captured the pulse of everyday life, satire, and social commentary. This diminutive profile (image just 15/16 × 11/16 in.) exemplifies his knack for distilling human character into stark, memorable forms. Rendered in woodcut—a relief printing technique where the artist carves away negative space from a woodblock, inking the raised surface for crisp impressions—Posada's work was ideal for affordable, mass-produced ephemera. The medium's rough-hewn lines and high contrast evoke folk art traditions while foreshadowing modern graphic styles, influencing later Mexican muralists like Diego Rivera. Though small on its 4 5/16 × 4 15/16 in. sheet, this mustache-framed visage likely served as an illustrative vignette, embodying Posada's democratic vision of art for the people. Today, this gem from the Metropolitan Museum of Art's Drawings and Prints department (gift of Roberto Berdecio, 1960) invites us to ponder the anonymous everyman, frozen in profile—a testament to Posada's enduring legacy in Mexican cultural history.
About the Artist
José Guadalupe Posada · 1852–1913
José Guadalupe Posada (1852-1913) was a Mexican printmaker and engraver who revolutionized popular art and created some of the most iconic images in Mexican culture. Working primarily with publisher Antonio Vanegas Arroyo, he produced over 20,000 images during his career—inexpensive broadsheets sold for a penny on colored paper that made his art accessible to even the poorest workers. He transform...