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A profile of a man with a beard and a hat

José Guadalupe Posada

ca. 1880–1910

A profile of a man with a beard and a hat by José Guadalupe Posada

Medium

Woodcut

Dimensions

Sheet: 1 in. × 7/8 in. (2.5 × 2.3 cm)

Classification

Prints

Department

Drawings and Prints

Museum

Metropolitan Museum of Art, New York, NY

Credit

Gift of Jean Charlot, 1930

Accession Number

30.82.76

Rights

Public Domain

Tags

HatsMenProfiles

Art Historical Context

José Guadalupe Posada, a pioneering Mexican printmaker (1852–1913), created this intimate woodcut portrait, *A Profile of a Man with a Beard and a Hat*, around 1880–1910. Captured in stark black and white on a tiny sheet measuring just 1 × 7/8 inches, the image depicts a bearded man in profile, topped with a distinctive hat. Posada's bold, economical lines evoke the everyday dignity of ordinary folk, reflecting his signature folk-art style rooted in Mexico's popular graphic traditions. As a master of relief printing, Posada produced thousands of woodcuts and metal engravings for newspapers, broadsheets, and chapbooks during Mexico's turbulent Porfiriato era and the lead-up to the 1910 Revolution. This modest work exemplifies his technique: carved into wood blocks, inked, and pressed to yield high-contrast images ideal for mass reproduction on inexpensive paper. His satirical and socially observant prints, often featuring calaveras (skeletons) mocking the powerful, influenced modern Mexican artists like Diego Rivera and José Clemente Orozco. Today, housed in the Metropolitan Museum of Art's Drawings and Prints department (gift of Jean Charlot, 1930), this tiny gem highlights Posada's role in democratizing art—bringing vivid commentary to the masses in an age before photography dominated. A reminder of how small-scale prints amplified big cultural voices!

About the Artist

José Guadalupe Posada · 18521913

José Guadalupe Posada (1852-1913) was a Mexican printmaker and engraver who revolutionized popular art and created some of the most iconic images in Mexican culture. Working primarily with publisher Antonio Vanegas Arroyo, he produced over 20,000 images during his career—inexpensive broadsheets sold for a penny on colored paper that made his art accessible to even the poorest workers. He transform...

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