A Shepherdess and Her Flock in the Shade of Trees
1854–55
Medium
Conté crayon and pastel on laid paper
Dimensions
14 3/4 x 10 3/4 in. (37.4 x 27.3 cm)
Classification
Drawings
Department
Drawings and Prints
Museum
Metropolitan Museum of Art, New York, NY
Credit
H. O. Havemeyer Collection, Bequest of Mrs. H. O. Havemeyer, 1929
Accession Number
29.100.559
Rights
Public Domain
Tags
Art Historical Context
Jean-François Millet, a pioneering figure in the Realism movement and the Barbizon school, the quiet dignity of rural life inA Shepherdess and Herlock in the Shade of* (1854–55). Created during a time when industrialization was transforming France, this intimate drawing reflects Millet's commitment to portraying peasants and shepherds not as romantic ideals, but as authentic figures in their natural environment. The scene evokes the serene French countryside, with a shepherdess tending her flock beneath protective trees—a poignant symbol of harmony between humanity and nature amid 19th-century social changes. Rendered in Conté crayon and pastel on laid paper, the work showcases Millet's masterful use of these media for subtle tonal modeling and soft color gradations. Conté crayon, prized for its rich blacks and ability to build depth, allows the dappled shade of the trees to emerge vividly, while pastel adds warmth to the pastoral tableau. At 14 3/4 x 10 3/4 inches, its modest scale invites close contemplation, highlighting Millet's draftsmanship as a precursor to his iconic paintings like *The Gleaners*. Now housed in the Metropolitan Museum of Art's Drawings and Prints department as part of the H. O. Havemeyer Collection (bequeathed in 1929), this piece underscores Millet's enduring influence on modern art, bridging Romanticism and Impressionism through its empathetic gaze on everyday labor.
About the Artist
Jean-François Millet · 1814–1875
Jean-François Millet (1814-1875) was a French painter and one of the founders of the Barbizon school, whose dignified depictions of peasant laborers transformed how art could represent rural life. His monumental images of sowers, gleaners, and field workers elevated common people to subjects previously reserved for mythological or historical figures, making him a pivotal figure in the development ...