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A soldier charging his musket, from the Musketeers series, plate 24, in Waffenhandlung von den Rören Musquetten undt Spiessen / Wapenhandelinghe van Roers Musquetten ende Spiessen (The Exercise of Arms)

A soldier charging his musket, from the Musketeers series, plate 24, in Waffenhandlung von den Rören Musquetten undt Spiessen / Wapenhandelinghe van Roers Musquetten ende Spiessen (The Exercise of Arms) by Jacques de Gheyn II|Jacques de Gheyn II|Robert Willemsz de Baudous

Medium

Engraving; second state of three (New Hollstein)

Dimensions

Sheet: 10 1/2 × 7 3/8 in. (26.7 × 18.8 cm)

Classification

Prints

Department

Drawings and Prints

Museum

Metropolitan Museum of Art, New York, NY

Credit

The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949

Accession Number

49.95.1177

Rights

Public Domain

Tags

SoldiersFirearmsMen

Art Historical Context

This engraving, plate 24 from Jacques de Gheyn II’s influential 1608 manual *The Exercise of Arms*, captures a musketeer in the precise act of charging his weapon. Created in collaboration with engraver Robert Willez de Baudous, the print belongs to a comprehensive series illustrating every step of musket and pike handling for early modern soldiers. Published in Dutch, German, and French editions, the manual served as a practical training guide during a period of significant military reform in the Netherlands. De Gheyn’s detailed engravings helped standardize drill movements across European armies, reflecting the era’s shift toward disciplined, firearm-based infantry tactics. The clear, sequential poses allowed commanders to teach complex procedures efficiently, making the book both an instructional tool and a landmark in military literature. As an engraving, the medium’s fine lines and reproducible precision made it ideal for capturing the intricate gestures of loading and firing. Viewers today can appreciate how de Gheyn transformed functional military instruction into elegant, informative art that continues to illuminate 17th-century soldiering.

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