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Abduction (plate nine from Paraphrase on the Finding of a Glove)

Abduction (plate nine from Paraphrase on the Finding of a Glove) by F. Felsing|Max Klinger

Medium

Etching, drypoint and aquatint on chine collé; first edition; state two of five

Dimensions

Overall: 18 5/16 x 26 in. (46.5 x 66 cm)

Classification

Prints

Department

Drawings and Prints

Museum

Metropolitan Museum of Art, New York, NY

Credit

Purchase, The Isaacson-Draper Foundation Gift, 2009

Accession Number

2009.53

Rights

Public Domain

Tags

BirdsHandsFlowers

Art Historical Context

Max Klinger’s *Abduction* forms the ninth plate in his groundbreaking 1881 cycle *Paraphrase on the Finding of a Glove*. Created when the German artist was just twenty-five, the series follows the mysterious life of a lost lady’s glove, transforming an everyday object into the focus of erotic longing, fantasy, and unease. Klinger, later associated with Symbolism, uses the glove as a vehicle for exploring psychological depths that would later influence the Surrealists. Printed in etching, drypoint, and aquatint on chine collé, the work showcases the tonal richness and precise line possible in ...

About the Artist

F. Felsing|Max Klinger (German|German) · |1857 |1920

|German, Leipzig 1857–1920 Großjena

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