Actor Kataoka Nizaemon VIII as Hida no kami Masakiyo
Edo period (1603–1867)
Medium
Woodblock print (nishiki-e); ink and color on paper, creped
Dimensions
21.8 × 15.9 cm (8 9/16 × 6 1/4 in.)
Classification
woodblock print
Department
Arts of Asia
Museum
Art Institute of Chicago
Accession Number
149116
Rights
Public Domain
Art Historical Context
Step into the vibrant world of Edo-period Japan with this exquisite woodblock print by Utagawa Kunis I (also known as Toyokuni), a master of thekiyo-e tradition. Titled *Actor Kataoka Niza VIII as Hida no kami Masakiyo*, it the dramatic intensity of kabuki theater, portraying the renowned actor in the role of the fierce samurai Hida no kami Masakiyo. Created during the Edo period (1603–7), when ukiyo-e prints exploded in popularity, this work reflects the era's obsession with celebrity culture—kabuki stars like Nizaemon were idolized much like modern actors. The medium is a nishiki-e, or "brocade picture," showcasing Kunisada's skill in layering vibrant inks and colors through intricate woodblock carving. Printed on creped paper—a textured, crinkled surface that adds a shimmering moiré effect—this intimate 21.8 × 15.9 cm piece was likely designed for personal collection, making high art accessible to everyday enthusiasts. Kunisada's dynamic composition, with bold lines and expressive poses, exemplifies yakusha-e (actor prints), blending realism and exaggeration to convey the performer's emotional power on stage. Housed in the Art Institute of Chicago's Arts of Asia department, this print highlights kabuki's cultural dominance in urban Japan, where theater fused myth, history, and spectacle. It invites us to appreciate how ukiyo-e preserved fleeting moments of performance, bridging art and entertainment across centuries.
About the Artist
Utagawa Kunisada I (Toyokuni III) · 1786–1864
Utagawa Kunisada I, also known as Toyokuni III (1786–1865), was born Sumida Shōgorō in the Honjo district of Edo (modern Tokyo) into a family that operated a hereditary ferry-boat service, providing stability after his father's early death. Displaying prodigious talent in drawing from childhood, he became an apprentice to the master Utagawa Toyokuni I around 1801 at age fifteen, entering the prest...