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"Alberti Dvreri pictoris et architecti praestantissimi De vrbibvs..."

"Alberti Dvreri pictoris et architecti praestantissimi De vrbibvs..." by Albrecht Dürer

Medium

Illustrated book

Dimensions

78 pp.; H: 13 3/4 in. (35 cm)

Culture

Paris: Officina Christiani Wecheli, 1535

Department

The Libraries

Museum

Metropolitan Museum of Art, New York, NY

Credit

Purchased with income from the Jacob S. Rogers Fund

Accession Number

125.97 D932

Rights

Public Domain

Art Historical Context

Step into the world of Renaissance ingenuity with *Alberti Dvreri pictoris et architecti praestantissimi De vrbibvs...*, a rare illustrated book by the legendary Albrecht Dürer, published posthumously in 1535 by Paris's Officina Christiani Wecheli. Dürer, the preeminent Northern Renaissance artist (1471–1528), was not only a master painter and engraver but also a pioneering theorist on architecture and urban design. This 78-page volume, standing tall at 13¾ inches, showcases his meticulous woodcut illustrations exploring cities (*De urbibus*), blending artistic precision with practical insights into urban planning and fortifications—ideas drawn from his travels across Europe. Printed just seven years after Dürer's death, the book reflects the era's fascination with humanist ideals and defensive architecture amid rising conflicts. Dürer's woodcuts, renowned for their mathematical accuracy and vivid detail, exemplify his influence in disseminating knowledge through print, making complex theories accessible. Housed in The Metropolitan Museum of Art's Libraries and acquired via the Jacob S. Rogers Fund, it highlights how Dürer's legacy bridged art and science, inspiring generations of architects and city planners. (198 words)

About the Artist

Albrecht Dürer · 14711528

Albrecht Dürer (1471–1528) stands as the preeminent figure of the Northern Renaissance and arguably the most influential artist in the history of printmaking. Born in Nuremberg on May 21, 1471, and dying in the same city on April 6, 1528, Dürer revolutionized the status of the artist in Northern Europe, transforming printmaking from a commercial craft into an independent fine art and establishing ...

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