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Amélioration qui ne tardera pas a être apportée aux théâtres de Paris pendant la canicule., from Croquis d'Été, published in Le Charivari, August 16-17, 1859

Amélioration qui ne tardera pas a être apportée aux théâtres de Paris pendant la canicule., from Croquis d'Été, published in Le Charivari, August 16-17, 1859 by Destouches|Aaron Martinet|Honoré Daumier

Medium

Lithograph on newsprint; second state of two (Delteil; Hazard & Delteil)

Dimensions

Image: 8 1/2 × 10 3/4 in. (21.6 × 27.3 cm) Sheet: 11 13/16 × 11 1/2 in. (30 × 29.2 cm)

Classification

Prints

Department

Drawings and Prints

Museum

Metropolitan Museum of Art, New York, NY

Credit

Rogers Fund, 1922

Accession Number

22.61.318

Rights

Public Domain

Tags

MenWomenBathing

Art Historical Context

Step into the witty world of 19th Parisian satire with *Amélioration qui neera pas a être apport aux théâtres de pendant la canicule* ("An Improvement Soon to Be Made to the Paris Theaters During the Heatwave a lithograph from Honoré Daumier's *Croquis d'Été* series, published in the humor magazine *Le Charivari* on August 16–, 1859. Daumier, a master caricaturist often collaborating with printers like Destouches and Aaroninet, skewers everyday absurdities here amid a sweltering summer *canicule*. The scene pokes fun at overheated theatergoers, with tags suggesting men and women in comically exaggerated bathing scenarios— envisioning "improved" venues where cooling off takes center stage. Printed onprint in the second state (as cataloged by Delteil), this affordable lithograph Daumier's fluid, expressive technique: bold lines and dynamic compositions that capture social commentary with sharp realism. Lithography allowed rapid production for periodicals like *Le Charivari*, democratizing art and amplifying Daumier's critiques of bourgeois life during France's Second Empire. Today, housed in the Metropolitan Museum of Art's Drawings and Prints department (Rogers Fund, 1922), this 8½ × 10¾-inch gem highlights how humor bridged high art and popular culture, reminding us that even in 1859 Paris, a heatwave could inspire theatrical farce.

About the Artist

Destouches|Aaron Martinet|Honoré Daumier (French|French) · 1808 |1800 1879 |1900

French, Marseilles 1808–1879 Valmondois|Paris

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