Artheon MuseumArtheonMuseum

American Wild Sheep, from the Animals of the World series (T180), issued by Abdul Cigarettes

American Wild Sheep, from the Animals of the World series (T180), issued by Abdul Cigarettes by Abdul Cigarettes

Medium

Commercial color lithograph

Dimensions

Sheet: 2 3/4 × 1 5/8 in. (7 × 4.2 cm)

Classification

Prints|Ephemera

Department

Drawings and Prints

Museum

Metropolitan Museum of Art, New York, NY

Credit

The Jefferson R. Burdick Collection, Gift of Jefferson R. Burdick

Accession Number

63.350.246.180.5

Rights

Public Domain

Tags

Sheep

Art Historical Context

Step into the vibrant world of 19th ephemera with *American Wild Sheep*, a commercial color lithograph from the *Animals of the World* (T180), issued by Abdul Cigarettes in 1881. Tucked into cigarette packs as collectible inserts, these tiny cards—measuring just 2¾ × 1⅝ inches—captured the imagination of smokers and enthusiasts alike, blending education with promotion. This piece, now housed in the Metropolitan Museum Art's Drawings and Prints department from the Jefferson R. Burdick Collection, showcases a majestic wild sheep, likely a bighorn, against an evocative natural backdrop, highlighting America's rugged wildlife. Chromolithography, the medium here, was a breakthrough in mass-produced color printing, allowing intricate details and vivid hues on a budget. Artists layered up to 30 lithographic stones for rich tones, making these cards affordable treasures that popularized natural history illustrations. Part of a broader trend in trade cards, they fueled collecting crazes and spread knowledge of global fauna during an era of exploration and conservation awareness. Though humble in scale, *American Wild Sheep* reflects commercial art's cultural role: turning everyday vices into portals for wonder. Imagine Victorian collectors trading these gems— a delightful glimpse into how commerce and curiosity intertwined.

About the Artist

Abdul Cigarettes · 18811881

Abdul Cigarettes, an enigmatic American entity active solely in 1881, stands as a fascinating footnote in the history of commercial art, best known for producing vibrant chromolithograph trade cards inserted into cigarette packages as promotional inserts. Little is documented about its origins or personnel, suggesting it operated as a short-lived publishing venture rather than the work of a singul...

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