Artheon MuseumArtheonMuseum

An avenue lined with statues in a pine forest, jets of water issuing from the ground, various figures in center, a small building in background center, from 'Views of the villa at Pratolino' (Vues de la villa de Pratolino)

An avenue lined with statues in a pine forest, jets of water issuing from the ground, various figures in center, a small building in background center, from 'Views of the villa at Pratolino' (Vues de la villa de Pratolino) by Stefano della Bella

Medium

Etching

Dimensions

Sheet: 12 3/8 x 16 15/16 in. (31.4 x 43 cm) Plate: 10 1/16 x 14 5/8 in. (25.5 x 37.1 cm)

Classification

Prints|Ornament & Architecture

Department

Drawings and Prints

Museum

Metropolitan Museum of Art, New York, NY

Credit

Bequest of Phyllis Massar, 2011

Accession Number

2012.136.537.4

Rights

Public Domain

Tags

ForestsHuman Figures

Art Historical Context

In this intricate etching from Stefano della Bella series *Views of the at Pratolino* (ca. 1653), visitors are transported to the extravagant gardens of the Medici family's villa near Florence. The scene captures a dramatic avenue lined with statues amid a dense pine forest, where jets of water dramatically erupt from the ground—likely evoking the villa's famous hydraulic automata and Mannerist fountains. Central figures converse near a small pavilion in the background, highlighting the harmonious blend of nature, architecture, and human activity that defined Renaissance pleasure gardens. Della Bella, a masterful 17th-century Italian etcher renowned for his Baroque precision, employed fine, cross-hatched lines to convey depth, texture, and movement in this print. As part of a celebrated series documenting Pratolino's wonders—commissioned under Grand Duke Ferdinando II—the work showcases the villa's cultural prestige as a symbol of Medici opulence and ingenuity, designed originally by Bernardo Buontalenti in the late 16th century. These gardens, with their theatrical water features, captivated European nobility and artists alike. Today, housed in the Metropolitan Museum of Art's Drawings and Prints department, this etching (10 1/16 x 14 5/8 in. plate) invites us to marvel at Pratolino's lost splendor, demolished in the 19th century, preserving a glimpse of 17th-century grandeur through della Bella's virtuosic technique.

About the Artist

Stefano della Bella · 16101664

Stefano della Bella (1610-1664) was one of the most prolific and versatile printmakers of the Italian Baroque period, leaving behind 1,052 prints and several thousand drawings that captured the vivid essence of 17th-century European life. Born in Florence on May 18, 1610, to a family of artists, he trained initially as a goldsmith before studying painting under Cesare Dandini and etching under Rem...

    Send Feedback

    We use this only to reply to your feedback.