An avenue lined with statues in a pine forest, jets of water issuing from the ground, various figures in center, a small building in background center, from 'Views of the villa at Pratolino' (Vues de la villa de Pratolino)
ca. 1653
Medium
Etching
Dimensions
Sheet: 12 3/8 x 16 15/16 in. (31.4 x 43 cm) Plate: 10 1/16 x 14 5/8 in. (25.5 x 37.1 cm)
Classification
Prints|Ornament & Architecture
Department
Drawings and Prints
Museum
Metropolitan Museum of Art, New York, NY
Credit
Bequest of Phyllis Massar, 2011
Accession Number
2012.136.537.4
Rights
Public Domain
Tags
Art Historical Context
In this intricate etching from Stefano della Bella series *Views of the at Pratolino* (ca. 1653), visitors are transported to the extravagant gardens of the Medici family's villa near Florence. The scene captures a dramatic avenue lined with statues amid a dense pine forest, where jets of water dramatically erupt from the ground—likely evoking the villa's famous hydraulic automata and Mannerist fountains. Central figures converse near a small pavilion in the background, highlighting the harmonious blend of nature, architecture, and human activity that defined Renaissance pleasure gardens. Della Bella, a masterful 17th-century Italian etcher renowned for his Baroque precision, employed fine, cross-hatched lines to convey depth, texture, and movement in this print. As part of a celebrated series documenting Pratolino's wonders—commissioned under Grand Duke Ferdinando II—the work showcases the villa's cultural prestige as a symbol of Medici opulence and ingenuity, designed originally by Bernardo Buontalenti in the late 16th century. These gardens, with their theatrical water features, captivated European nobility and artists alike. Today, housed in the Metropolitan Museum of Art's Drawings and Prints department, this etching (10 1/16 x 14 5/8 in. plate) invites us to marvel at Pratolino's lost splendor, demolished in the 19th century, preserving a glimpse of 17th-century grandeur through della Bella's virtuosic technique.
About the Artist
Stefano della Bella · 1610–1664
Stefano della Bella (1610-1664) was one of the most prolific and versatile printmakers of the Italian Baroque period, leaving behind 1,052 prints and several thousand drawings that captured the vivid essence of 17th-century European life. Born in Florence on May 18, 1610, to a family of artists, he trained initially as a goldsmith before studying painting under Cesare Dandini and etching under Rem...