Armchair (Bergère à la reine) (one of a pair) (part of a set)

Art Historical Context

This exquisite *Bergère à la reine* armchair, crafted circa 1785 by Parisian *ébéniste* Jean-Baptiste-Bernard Demay, embodies the neoclassical elegance of Louis XVI-era France. One of a matching pair within a larger set, it features a frame of carved and gilded walnut, its sinuous lines and floral motifs evoking the refined opulence of pre-Revolutionary aristocracy. The modern silk lampas upholstery, patterned with delicate flowers, enhances its regal allure while preserving the original design's luxurious intent. The "à la reine" style nods to Queen Marie Antoinette's taste for light, symmetrical furniture inspired by ancient Greek and Roman models—a shift from the curvaceous Rococo of decades prior. Gilding the walnut not only highlighted intricate carvings but also symbolized wealth and status in lavish *salons* and *chambres*. Bergères like this offered comfort with exposed arms and loose cushions, blending functionality and artistry. Acquired by the Metropolitan Museum of Art in 1973 through the generous gift of Mr. and Mrs. Charles Wrightsman, this piece transports visitors to the twilight of the Ancien Régime, where every furnishing told a story of cultural splendor on the eve of revolution.