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東洲斎写楽画 二世坂東三津五郎の石井源蔵 『花菖蒲文禄曽我』|Bandō Mitsugorō II as Ishii Genzō in the Play "Hana-ayame Bunroku Soga"

東洲斎写楽画 二世坂東三津五郎の石井源蔵 『花菖蒲文禄曽我』|Bandō Mitsugorō II as Ishii Genzō in the Play "Hana-ayame Bunroku Soga" by Tōshūsai Sharaku

Medium

Woodblock print; ink, color, white mica on paper

Dimensions

H. 15 in. (38.1 cm); W. 9 15/16 in. (25.2 cm)

Classification

Prints

Culture & Period

Japan · Edo period (1615–1868)

Department

Asian Art

Museum

Metropolitan Museum of Art, New York, NY

Credit

Harris Brisbane Dick Fund and Rogers Fund, 1949

Accession Number

JP3113

Rights

Public Domain

Tags

SwordsActorsMen

Art Historical Context

In the vibrant world of Edo-period Japan (1615–1868), Tōshūsai Sharaku captured the dramatic essence of kabuki theater with this striking woodblock print from around 1794. The artwork portrays renowned actor Bandō Mitsugorō II in the role of Ishii Genzō from the play *Hana-ayame Bunroku Soga* (Flower Iris Bunroku Soga). Genzō, a fierce gripping a sword, embodies the theatrical intensity of kabuki, where performers like Mitsugorō brought historical tales to life on stage, blending revenge, loyalty, and spectacle for enthusiastic urban audiences in Edo (modern Tokyo). Sharaku, a enigmatic artist active for just two brief years, revolutionized ukiyo-e prints—Japan's popular "pictures of the floating world"—with his bold, unflinching portraits of actors. Unlike the idealized beauty of contemporaries, Sharaku's style is psychologically penetrating, highlighting exaggerated expressions, muscular forms, and dynamic poses that reveal the performer's raw emotion and character. Here, the close-up view draws viewers into the actor's world, making theater stars accessible icons. Crafted as a polychrome woodblock print with ink, vibrant colors, and shimmering white mica on paper (measuring 15 x 9 15/16 inches), the medium allowed mass production and affordability, democratizing art. The mica adds a luxurious, stage-like glow, evoking lantern light on the kabuki stage. Acquired by The Metropolitan Museum of Art in 1949, this piece exemplifies how prints preserved and popularized Japan's theatrical golden age.

About the Artist

Tōshūsai Sharaku · 17941795

Tōshūsai Sharaku stands as one of the most enigmatic figures in Japanese art history, a ukiyo-e printmaker whose brilliant career blazed for just ten months from the summer of 1794 to early spring 1795. Active exclusively in Edo (modern Tokyo), he produced approximately 150 woodblock prints and sketches, primarily yakusha-e—intimate portraits of kabuki actors captured mid-performance. Published by...

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