Billy Lackbeard and Charley Blackbeard playing at Football
Medium
Hand-colored etching
Dimensions
Sheet: 9 9/16 × 13 11/16 in. (24.3 × 34.7 cm)
Classification
Prints
Department
Drawings and Prints
Museum
Metropolitan Museum of Art, New York, NY
Credit
The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959
Accession Number
59.533.40
Rights
Public Domain
Tags
Art Historical Context
Step into the lively world of 18th-century British satire with *Billy Lackbeard and Charley Black playing at Football*, a hand-colored etching created by renowned caricaturist Thomas Rowlandson in collaboration with engraver William Humphrey, dated February 7, 1784. Measuring about 9½ by 13⅝ inches, this print exemplifies the Georgian era's booming market for affordable, colorful political commentary. Hand-coloring added vibrant appeal, making these etchings popular among the middle classes for their sharp wit and exaggerated features. The title cleverly mocks two towering political figures: William Pitt the Younger ("Billy Lackbeard," perhaps nodding to his youthful, clean-shaven look) and Charles James Fox ("Charley Blackbeard," evoking the infamous pirate). Depicted in a chaotic game of football—a rough, unruly sport symbolizing cutthroat politics—this satire captures the intense rivalry following Pitt's rise to Prime Minister in late 1783, after Fox's coalition government collapsed. Rowlandson's dynamic style, blending humor with biting critique, highlights the era's parliamentary upheavals. Housed in the Metropolitan Museum of Art's Drawings and Prints department (The Elisha Whittelsey Collection, 1959), this work showcases how prints democratized satire, influencing public opinion and immortalizing the era's power struggles. A delightful glimpse into history's playful side!
About the Artist
Thomas Rowlandson|William Humphrey|William Pitt|Charles James Fox · 1756–1827
Thomas Rowlandson (1757–1827) was an English artist and caricaturist whose satirical watercolors and prints captured the social life of Georgian Britain with unparalleled wit and technical mastery. Alongside James Gillray, he is recognized as one of the greatest British graphic artists, and his distinctive flowing line and keen observations have made his work integral to understanding late 18th an...