Artheon MuseumArtheonMuseum

Bon Bon Dish

Eva Wilson

c. 1936

Bon Bon Dish by Eva Wilson

Medium

watercolor, gouache, and graphite on paper

Dimensions

overall: 35.5 x 28 cm (14 x 11 in.)

Classification

Index of American Design

Department

CG-W

Museum

National Gallery of Art, Washington, D.C.

Credit

Index of American Design

Accession Number

1943.8.11289

Rights

Public Domain

Art Historical Context

Eva Wilson's *Bon Bon Dish* (c. 1936) is a captivating watercolor, gouache, and graphite rendering on paper, measuring 35.5 x 28 cm. Created as part of the Index of American Design (IAD), this work meticulously documents a charming American decorative object—a delicate dish for serving confections, likely from the Victorian era or earlier. Wilson's precise graphite outlines paired with the luminous opacity of gouache and fluidity of watercolor bring the dish's intricate patterns, curves, and textures to life, transforming a humble household item into a study of elegant craftsmanship. The IAD, a Federal Art Project under the Works Progress Administration (WPA) from 1935 to 1942, employed artists during the Great Depression to record America's folk art and design heritage. Wilson's contribution preserves the cultural significance of everyday objects like bon bon dishes, which symbolized Victorian hospitality and the artistry of American potters and glassmakers. These renderings, now in the National Gallery of Art's collection, celebrated regional traditions amid economic hardship, fostering national pride in indigenous design. Through her skilled layering of media, Wilson captures not just form but the subtle sheen and ornamentation that defined early 20th-century interpretations of antique wares. This piece invites visitors to appreciate how ordinary items embody America's creative legacy.

About the Artist

Eva Wilson

Eva Wilson is an artist whose biographical details remain largely unrecorded. No confirmed dates of birth or death, geographic origin, or records of formal training have been identified in the historical literature, and her nationality is not definitively established. Her surviving works, held across various collections, indicate a sustained creative practice. The range and volume of pieces attri...

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