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Caricature of Louis Marie de la Haye, Vicomte de Cormenin (alias Timon)

Caricature of Louis Marie de la Haye, Vicomte de Cormenin (alias Timon) by Hippolyte Mailly|Nadar

Medium

Black chalk on brown paper

Dimensions

Sheet: 7 1/16 x 5 3/8 in. (17.9 x 13.7 cm)

Classification

Drawings

Department

Drawings and Prints

Museum

Metropolitan Museum of Art, New York, NY

Credit

Gift of Dr. Stephen K. and Janie Woo Scher, 2012

Accession Number

2012.401.18

Rights

Public Domain

Tags

CaricatureMen

About this artwork

This caricature depicts Louis Marie de la Haye, Vicomte de Cormenin, who wrote under the pseudonym Timon, and was created in 1859 by Hippolyte Mailly with attribution to Nadar (Gaspard-Félix Tournachon). The work represents the tradition of political caricature that flourished in mid-19th century France. The drawing employs black chalk on brown paper to create a satirical portrait emphasizing distinctive facial features and expression characteristic of caricature art. The subject, Cormenin (178...

Art Historical Context

In the vibrant world of mid-19th-century French, this 1859 drawing by Hippolyte Mailly, to the renowned Nadar (Gaspard-Félix Tournachon), captures Louis Marie la Haye, Vicomte de Cormenin—better known by his biting pseudonym Timon. Cormenin (1788–1868), a liberal politician, jurist, and pamphleteer, skewered government corruption under Napoleon III's Second Empire his sharp critiques, drawing inspiration from the misanthropicon of ancient lore and Shakespeare. Such satirical portraits thrived in this era of political tension, poking fun at the powerful through exaggerated features and wry expressions. Crafted in black chalk on brown paper—a technique ideal for tonal subtlety and bold linework—the modest 7 1/16 x 5 3/8-inch sheet exemplifies preparatory sketches often destined for lithographic prints. Nadar, famed for his pioneering photography and portraits of Parisian luminaries, bridged art and activism in his circle of writers and radicals, making Cormenin a perfect, prickly subject. Today, this gifted treasure at the Metropolitan Museum of Art offers a window into France's satirical spirit, reminding us how art wielded wit as a weapon against authority.

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