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Carved Lion's Head

Carved Lion's Head by Vera Van Voris

Medium

watercolor, graphite, and pen and ink on paper

Dimensions

overall: 29.9 x 22.2 cm (11 3/4 x 8 3/4 in.) Original IAD Object: 7 3/4" high; 5 5/8" wide; 5 3/4" deep

Classification

Index of American Design

Department

CG-W

Museum

National Gallery of Art, Washington, D.C.

Credit

Index of American Design

Accession Number

1943.8.8246

Rights

Public Domain

Art Historical Context

Behold the *Carved Lion's Head*, a captivating watercolor, graphite, and pen-and-ink rendering by Vera Van Voris, created around 1937. This delicate work on paper (29.9 x 22.2 cm) meticulously captures a three-dimensional folk art sculpture measuring about 7 3/4 inches high, evoking the fierce majesty of a lion in exquisite carved detail. Van Voris, a skilled artist, brings the object's textured mane, snarling expression, and dynamic form to life with precise lines and subtle color washes. As part of the Index of American Design—a groundbreaking WPA Federal Art Project from the 1930s—this piece exemplifies efforts to document and celebrate America's rich heritage of craftsmanship during the Great Depression. Artists like Van Voris produced thousands of such renderings to preserve folk objects, highlighting regional traditions and everyday artistry that might otherwise be lost. The lion's head likely represents vernacular woodcarving, symbolizing strength and guardianship in American decorative arts. Housed in the National Gallery of Art's collection, this artwork invites us to appreciate not just the original carver's skill but Van Voris's masterful technique in translating sculpture into two dimensions. It's a testament to how public programs fostered cultural pride and artistic innovation in tough times.

About the Artist

Vera Van Voris

Vera Van Voris is an artist whose works have been preserved in museum collections in sufficient number to indicate a serious and sustained artistic practice, even though her biographical details — birth and death dates, nationality, and the particulars of her training — remain undocumented in the standard art-historical literature. Her distinctive name suggests possible Dutch or Central European h...

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