Case (Inrō) with Design of Sheaves of Rice in Boats

Art Historical Context

This exquisite *Inrō* (lacquered case) from the Koma School the pinnacle of Edo-period (1615–1868) Japanese craftsmanship. Dating to the 19th century, it a poetic design of sheaves of stacked in boats, evoking the rhythms of rural life, harvest abundance, and Japan's agrarian heritage. Worn suspended from a kimono sash via a silk cord, these compact cases held medicines, seals, or tobacco, serving as both practical accessories and status symbols for the prosperous merchant class during a time of peace and cultural flourishing. Crafted in black lacquer with lavish gold *maki-e*—fine gold powder sprinkled and burnished for a shimmering effect—and iridescent mother-of-pearl inlays, the piece showcases the Koma School's mastery of layered, luminous techniques. It is completed by an ivory *ojime* bead for securing the cord and a carved bone *netsuke* depicting a goose and moon, adding whimsy and seasonal symbolism (geese migrate under the moon, hinting at autumn). Measuring just 3 1/8 inches tall, its diminutive scale belies the meticulous artistry. Part of The Howard Mansfield Collection at The Metropolitan Museum of Art, this *inrō* highlights lacquerware's role in Edo Japan's material culture, blending utility, beauty, and subtle narrative to delight wearers and viewers alike.