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Castruccio Castracani degli Antelminelli of Lucca, 1281-1328

Castruccio Castracani degli Antelminelli of Lucca, 1281-1328 by Italian 16th Century

Medium

bronze

Dimensions

overall (diameter): 2.84 cm (1 1/8 in.) gross weight: 9.61 gr (0.021 lb.)

Classification

Sculpture

Department

CSD

Museum

National Gallery of Art, Washington, D.C.

Credit

Samuel H. Kress Collection

Accession Number

1957.14.906

Rights

Public Domain

Art Historical Context

This small bronze medal, created around 1530 by an anonymous Italian artist, portrays Castruccio Castracani degli Antelminelli, the formidable 14th-century condottiero and ruler of Lucca. Though produced nearly two centuries after his death in 1328, the piece reflects the Renaissance fascination with commemorating powerful historical figures through portraiture. Measuring just over an inch in diameter, the medal captures Castracani’s profile in the classical style, evoking the authority and legacy of ancient Roman coinage. During the 16th century, bronze medals became a favored medium for honoring statesmen, scholars, and military leaders. Their durable material allowed intricate casting of fine details while enabling wide distribution as tokens of prestige or political allegiance. This example from the National Gallery of Art’s collection highlights how Renaissance artists revived and adapted ancient techniques to celebrate Italy’s medieval past, bridging eras through art. As part of the Samuel H. Kress Collection, the medal offers visitors a tangible connection to Lucca’s storied history and the enduring appeal of portrait medals in European culture. Its modest scale invites close examination, revealing the skill required to convey character and status in such a compact form.

About the Artist

Italian 16th Century · 15001599

"Italian 16th Century" refers to a collective attribution for anonymous painters and sculptors active in Italy during the 16th century, a period bridging the High Renaissance and Mannerism. These artists, often working in workshops of masters like Titian, Veronese, and Tintoretto, remain unidentified due to the collaborative nature of Renaissance production. Their early lives and training are not ...

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