Ce qu'on appelle, aller jouir a la campagne ...

Art Historical Context

Honoré Daumier's *Ce qu'on appelle, aller jouir a la campagne* (1845), a witty lithograph measuring 10 x 8½ inches, captures the ironic misadventures of urbanites seeking respite in the countryside. Translated as "What is called going to enjoy the countryside," image likely skewers the pretensions of the French bourgeoisie, portraying their bumpy carriage ride amid exaggerated discomfort and exaggerated bliss—a hallmark of Daumier's sharp social satire. As a leading figure in 19th-century French caricature, Daumier produced over 4,000 lithographs for publications like *La Caricature* and *Le Charivari*, critiquing the July Monarchy's hypocrisies under King Louis-Philippe. This work exemplifies his realist style, blending keen observation with caricature to expose class tensions and everyday absurdities. Lithography's affordability allowed mass dissemination, making his commentary accessible and influential in shaping public discourse. Today, this print from the Corcoran Collection—gifted by Dr. Armand Hammer—resides in the National Gallery of Art's Department of Prints (CG-E). It reminds us of Daumier's enduring legacy as a voice for the overlooked, inviting viewers to chuckle at the timeless folly of chasing idealized leisure.

About the Artist

Honoré Daumier · 1810–1879

Honoré-Victorin Daumier (1808-1879) was a prolific French printmaker, caricaturist, painter, and sculptor whose works offered incisive commentary on the social and political life of 19th-century France. Known as the 'Michelangelo of Caricature,' Daumier produced over 4,000 lithographs, 500 paintings, 1,000 drawings, and 100 sculptures during his lifetime. His biting political satire led to his imp...