Chariot with trophies of war, from 'The Triumph of Caesar'

Art Historical Context

Behold the dynamic woodcut *Chariot with Trophies of War*, one of nine prints from the series *The Triumph of Caesar crafted in 1504 by of Strasbourg and Benedetto Bord. This impressive sheet, measuring over 12 by 15 inches, bursts with Renaissance energy: a grand chariot overflows with captured armor, shields, and banners—spoils of Roman conquest—flanked by triumphant soldiers in gleaming plate armor, some blasting horns in victory. The scene vividly captures Julius Caesar's legendary triumph, a public procession celebrating military glory in ancient Rome. Printed on wood using the relief technique, where intricate designs were carved into blocks and inked for multiple impressions, this work exemplifies early 16th-century innovation in printmaking. Woodcuts like this democratized art, allowing grand classical subjects—once confined to frescoes or paintings—to reach wider audiences across Europe. Jacob of Strasbourg, a skilled German engraver, likely led the cutting, while Venetian Benedetto Bordone contributed designs inspired by Andrea Mantegna's famous compositions. Acquired by The Metropolitan Museum of Art through the Harris Brisbane Dick Fund in 1927, this print reflects the Renaissance revival of antiquity, blending historical reverence with technical prowess. It invites us to marvel at the era's blend of martial pomp and artistic ambition, a snapshot of how warriors and artists alike shaped cultural memory.

About the Artist

Jacob of Strasbourg|Benedetto Bordone ( |Italian) · 1494 |1455 –1530 |1488

Italian School, born Alsace, active Venice, 1494–1530|Italian, Padua ca. 1455/60–1530 Padua, active mainly Venice from 1488