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Chasse with Christ in Majesty and the Lamb of God

Unknown Artist

ca. 1180–90

Chasse with Christ in Majesty and the Lamb of God by Unknown Artist

Medium

Champlevé enamel: blue-black; dark, medium, and light blue; turquoise, dark and light green, yellow, red, translucent wine red, and white; wood core, painted red on exterior; copper: engraved, scraped, stippled, and gilt.

Dimensions

Overall: 8 11/16 x 9 1/4 x 4 3/16 in. (22 x 23.5 x 10.7 cm)

Classification

Enamels-Champlevé

Culture

French

Department

Medieval Art

Museum

Metropolitan Museum of Art, New York, NY

Credit

Gift of J. Pierpont Morgan, 1917

Accession Number

17.190.523

Rights

Public Domain

Tags

AngelsReliquaries

Art Historical Context

Step into the luminous world of medieval French craftsmanship with the *Chasse with Christ in Majesty and the of God*, a exquisite reliquary crafted around 1180–90. This small, box-like chasse—measuring just 8 11/16 x 9 1/4 x 4 3/16 inches designed to house sacred relics, such as fragments of saints' bones, and was likely carried in processions or displayed on altars. The front features a majestic Christ enthroned in glory, flanked by angels, with the symbolic Lamb of God below, embodying core Christian themes of divine authority, sacrifice, and redemption during the Romanesque era's spiritual fervor. The artwork's brilliance comes from champlevé enamel, a sophisticated technique where artisans engraved troughs into a copper base, filled them with vibrant powdered glass enamels in shades of blue-black, turquoise, greens, yellows, reds, and white, then fired them to fuse the colors. A painted red wood core provided structure, while engraved, stippled, and gilt copper accents added intricate details. This method, perfected in 12th-century Limoges workshops, allowed for jewel-like durability and glow, making reliquaries portable treasures that rivaled church jewels. Donated to the Metropolitan Museum of Art in 1917 by J. Pierpont Morgan, this anonymous masterpiece highlights France's medieval enamel mastery, bridging art and devotion in an age when such objects inspired awe and pilgrimage. Its survival offers a vivid window into the era's piety and technical innovation.

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