Christ Crucified between the Two Thieves (The Three Crosses)
Medium
drypoint on laid paper
Dimensions
sheet (trimmed to plate mark): 39 x 45.5 cm (15 3/8 x 17 15/16 in.)
Classification
Department
CG-E
Museum
National Gallery of Art, Washington, D.C.
Credit
Rosenwald Collection
Accession Number
1943.3.7174
Rights
Public Domain
Art Historical Context
Rembrandt van Rijn'sChrist Crucified between the Two Th (The Three Crosses, created in 1653, one of the Bible's most poignant moments: the Crucifixion at Golgotha, with Christ flanked by the two thieves on Calvary. This powerful print exemplifies Rembrandt's mastery during his mature Baroque period, where he infused religious subjects with profound emotional depth and drama. The artist's innovative use of light and shadow—chiaroscuro—draws the viewer into the chaotic scene, highlighting Christ's serene centrality amid the turmoil of soldiers, mourners, and onlookers. Executed in drypoint on laid paper, this work showcases Rembrandt's experimental printmaking genius. Unlike traditional etching, drypoint involves scratching directly into the copper plate with a sharp tool, raising a soft burr that holds ink for rich, velvety lines and tonal gradations. This technique allowed Rembrandt to achieve unprecedented texture and intimacy in prints, making each impression unique as the burr wears down. Measuring 39 x 45.5 cm, the trimmed sheet intensifies the composition's immediacy. Housed in the National Gallery of Art's Rosenwald Collection, *The Three Crosses* remains a cornerstone of Rembrandt's graphic oeuvre, blending spiritual intensity with technical brilliance. It invites visitors to ponder themes of redemption and suffering, bridging 17th-century Dutch artistry with timeless Christian iconography.
About the Artist
Rembrandt van Rijn · 1606–1669
Rembrandt Harmenszoon van Rijn (1606–1669) stands as one of the greatest visual artists in the history of Western art and the most important Dutch painter of the 17th century. Born in Leiden to a prosperous miller's family, Rembrandt transformed painting through his revolutionary use of light and shadow, his psychological depth in portraiture, and his elevation of etching to a fine art. His approx...