Coat of Arms of Johann Tscherte
n.d.
Medium
Woodcut
Dimensions
sheet: 7 1/4 x 5 11/16 in. (18.4 x 14.4 cm)
Classification
Prints
Department
Drawings and Prints
Museum
Metropolitan Museum of Art, New York, NY
Credit
Harris Brisbane Dick Fund, 1924
Accession Number
24.28.5
Rights
Public Domain
Tags
Art Historical Context
**Coat of Arms of Johanncherte**, a masterful woodcut by Albrecht Dürer, captures the intricate heraldry of its namesake patron in a compact yet richly detailed composition (sheet: 7 1/4 x 5 11/16 in.). Created around the early 16th century during Dürer's prolific Northern Renaissance career, this print showcases a central coat of arms flanked by elaborate supporters—including helmets, fauns, male nudes, horns, and musical instruments—alongside motifs like dogs, leaves, and flowers. These elements evoke the grandeur of Renaissance nobility, blending realism with fantastical flourishes typical of heraldic design. Dürer revolutionized woodcut printing, elevating it from mere illustration to high art through his precise carving techniques and innovative use of texture. Unlike coarser woodcuts of the time, his work rivals engraving in finesse, allowing widespread dissemination of personalized emblems like this one. Produced on commission, it reflects the era's fascination with genealogy and status symbols, where coats of arms served as visual family trees for Europe's elite. Housed in the Metropolitan Museum of Art's Drawings and Prints department (Harris Brisbane Dick Fund, 1924), this piece invites visitors to marvel at Dürer's ability to pack a world of symbolism into a small format—perfect for displaying prestige in homes or collections. A testament to his genius, it bridges art and identity in the dawn of the print revolution.
About the Artist
Albrecht Dürer · 1471–1528
Albrecht Dürer (1471–1528) stands as the preeminent figure of the Northern Renaissance and arguably the most influential artist in the history of printmaking. Born in Nuremberg on May 21, 1471, and dying in the same city on April 6, 1528, Dürer revolutionized the status of the artist in Northern Europe, transforming printmaking from a commercial craft into an independent fine art and establishing ...