Artheon MuseumArtheonMuseum

Coin Portraying Emperor Elagabalus

Coin Portraying Emperor Elagabalus by Ancient Roman

Medium

Bronze

Dimensions

Diam.: 2.7 cm (1 1/8 in.)

Classification

coin

Department

Arts of Greece, Rome, and Byzantium

Museum

Art Institute of Chicago

Accession Number

142954

Rights

Public Domain

About this artwork

The front (obverse) of this coin portrays the emperor Elagabalus. The back (reverse) shows two palms in a prize urn.

Art Historical Context

This bronze coin, struck during the brief tumultuous reign of Emperor Elabalus (r. 218–222 CE), offers a glimpse into the propaganda of Rome. Measuring just 2.7 cm in diameter, it features a portrait of the young emperor, whose real name was Varius Avitus Bassianus Elagabalus, a Syrian priest elevated to the throne by the Roman legions, is depicted in the classic style of imperial coinage—idealized profile, laurel wreath, and authoritative gaze—to legitimize his rule across the vast empire. Roman coins like this were not mere money but powerful tools of communication, circulated from Britain to Egypt. Minted in bronze for everyday use, they bore the emperor's image on one side and symbolic motifs like deities or victories on the other, reinforcing imperial divinity and stability. Elagabalus' coins reflect his controversial push to elevate the sun god Elagabal over traditional Roman gods, sparking outrage that led to his assassination at age 18. As a numismatic artifact in the Art Institute of Chicago's Arts of Greece, Rome, and Byzantium collection, this piece highlights the artistry of Roman die-engraving—precise, high-relief portraits achieved through hammered metalwork. It invites us to ponder how even pocket change shaped history and public perception in antiquity.

About the Artist

Ancient Roman

The artists attributed to "Ancient Roman" in museum collections represent the anonymous craftsmen who produced the vast output of sculpture, frescoes, mosaics, and reliefs defining Roman visual culture from the Republic (c. 509–27 BCE) to the late Empire (c. 395 CE). Individual identities remain elusive, as Roman makers were typically viewed as skilled tradesmen—often enslaved Greeks or provincial...

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