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歌川国芳画 「高祖御一代略図  佐州流刑角田波題目」|Concise Illustrated Biography of Monk Nichiren: Calming the Stormy Sea at Tsunoda in Exile to Sado Island

歌川国芳画 「高祖御一代略図  佐州流刑角田波題目」|Concise Illustrated Biography of Monk Nichiren: Calming the Stormy Sea at Tsunoda in Exile to Sado Island by Utagawa Kuniyoshi

Medium

Woodblock print; ink and color on paper

Dimensions

8 7/8 x 13 3/4 in. (22.5 x 34.9 cm)

Classification

Prints

Culture & Period

Japan · Edo period (1615–1868)

Department

Asian Art

Museum

Metropolitan Museum of Art, New York, NY

Credit

Henry L. Phillips Collection, Bequest of Henry L. Phillips, 1939

Accession Number

JP2860

Rights

Public Domain

Tags

MenWavesBoats

Art Historical Context

In this dynamic woodblock print from 1835–36, Utagawa Kuniyoshi a legendary moment from the life of Nichiren, the 13th-century founder of Nichiren Buddhism.itled *Concise Illustrated Biography of Nichiren: Calming Stormy Sea at Tsunoda in Exile to S Island*, it depicts the monk aboard a storm-tossed boat during his perilous 1271 exile to Sado Island. towering waves and desperate sailors, Nichiren inscribes the Lotus Sutra's title—a sacred mantra—miraculously calming the sea, symbolizing his unyielding faith and divine power. Kuniyoshi, a master of the ukiyo-e tradition in Edo-period Japan (1615–1868), was renowned for his bold, theatrical compositions blending heroism, supernatural elements, and everyday drama. Here, his signature style shines through intricate carving and vibrant colors layered via woodblock printing: deep blues and whites evoke raging waves, while expressive figures convey awe and turmoil. This affordable medium popularized tales of spiritual resilience among commoners, bridging art and devotion. Measuring just 8⅞ × 13¾ inches, the print exemplifies how ukiyo-e democratized storytelling, influencing global artists like Van Gogh. A highlight of the Metropolitan Museum of Art's Asian Art collection, it invites visitors to ponder faith's triumph over chaos.

About the Artist

Utagawa Kuniyoshi · 17971861

Utagawa Kuniyoshi (1797–1861) was born in Edo to the silk-dyer Yanagiya Kichiyemon, originally bearing the childhood name Yoshisaburō. From a young age, he assisted in his family's pattern design work, which sharpened his innate mastery of color and textile motifs that would permeate his later prints. At around twelve years old, his prodigious drawing skills drew the attention of the renowned Utag...

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