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Connoisseurs–or Portrait Collectors !!!

Connoisseurs–or Portrait Collectors !!! by Thomas Rowlandson|John Britton|Longman, Hurst, Rees and Orme

Medium

Hand-colored etching

Dimensions

Sheet: 3 11/16 × 5 13/16 in. (9.4 × 14.8 cm)

Classification

Prints

Department

Drawings and Prints

Museum

Metropolitan Museum of Art, New York, NY

Credit

The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959

Accession Number

59.533.1022(6)

Rights

Public Domain

Tags

SatireMen

Art Historical Context

In the lively world of early 19th-century British satire, Thomas Rowlandson, a master caricaturist, teamed up with John Britton and published by Longman, Hurst, and Orme to create *Connoisseurs–or Portrait !!!* in 1807. This hand-colored etching, measuring just 3 11/16 × 5 13/16 inches, captures pretensions of male art enthusiasts with Rowlandson's signature exaggerated humor. The small-scale print, part of the Metropolitan Museum of Art's Elisha Whittelsey Collection, pokes fun at self-proclaimed "conno" obsessed with portrait collecting, reflecting the booming art market of Regency England. Rowlandson's style belongs to the golden age of British caricature, where sharp social commentary thrived through prints sold affordably to the public. Hand-coloring the etching added vibrant, whimsical touches that heightened the satirical bite, making it a popular medium for critiquing class and culture. During this era, portrait collecting surged among the wealthy, often more about status than genuine appreciation—perfect fodder for Rowlandson's witty lens. This gem offers a window into how art itself became a subject of mockery, reminding us that even 200 years ago, the line between true expertise and fad-driven fandom was hilariously thin. A delightful nod to the eternal quirks of collectors!

About the Artist

Thomas Rowlandson|John Britton|Longman, Hurst, Rees and Orme · 17561827

Thomas Rowlandson (1757–1827) was an English artist and caricaturist whose satirical watercolors and prints captured the social life of Georgian Britain with unparalleled wit and technical mastery. Alongside James Gillray, he is recognized as one of the greatest British graphic artists, and his distinctive flowing line and keen observations have made his work integral to understanding late 18th an...

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