Copy of Les Bohémiens en Marche, pièce aussi appelée L'Avant-Garde (The Gypsies Travelling, piece also called The Advance Gard), from Le Bohémiens, série appelée aussi Les Égyptiens, La Marche des Bohémiens, La Vie Errante des Bohémiens, Les Marches Égyptiennes (The Gypsies, series also called The Egyptians, The Gypsy Troops, The Wandering Lives of Gypsies, The Egyptian Troops)
17th century
Medium
Etching and engraving
Dimensions
Mount: 6 11/16 x 11 5/16 in. (17 x 28.8 cm) Sheet: 4 3/4 x 9 5/16 in. (12 x 23.6 cm)
Classification
Prints
Department
Drawings and Prints
Museum
Metropolitan Museum of Art, New York, NY
Credit
Gift of Harry G. Friedman, 1962
Accession Number
62.635.587
Rights
Public Domain
Art Historical Context
This enchanting 17th-century etching, titled *Copy of Les Bohémiens en Marche* (also known as *The Gypsies Travelling* or *The Advance Guard*), belongs to the series *Le Bohémiens*—variously called *The Egyptians*, *The Gypsy Troops*, or *The Wandering Lives of Gypsies*. Attributed to Jacques Callot or an anonymous copyist, it captures the lively procession of nomadic travelers, evoking the romantic allure of Bohemia in Baroque-era Europe. Callot, a master French printmaker (1592–1635), was renowned for his intricate depictions of everyday life, festivals, and marginalized groups, blending keen observation with dramatic flair. Crafted in etching and engraving on a modest sheet (4 3/4 x 9 5/16 in.), the print showcases Callot's signature technique: ultra-fine lines achieved through a burrless etching process he helped perfect. This allowed extraordinary detail in crowded scenes, making prints affordable yet vivid for a wide audience. Gypsies (Roma people) were exotic subjects in 17th-century art, symbolizing freedom amid societal upheaval like the Thirty Years' War. A gift to the Metropolitan Museum of Art in 1962, this work highlights printmaking's role in disseminating cultural narratives, inviting viewers to ponder the eternal pull of wanderlust. (198 words)
About the Artist
Jacques Callot|Anonymous · 1592–1635
Jacques Callot (1592–1635) was a French printmaker and draftsman from the Duchy of Lorraine, widely regarded as one of the first great artists to practice the graphic arts exclusively. His more than 1,400 etchings chronicled the breadth of 17th-century life, from Medici court festivities to the brutal realities of warfare. Callot revolutionized etching through technical innovations including the é...