Corona delle Nobili et Virtuose Donne: Libro I-IV, page 112 (recto)

Art Historical Context

Step into the elegant world of Renaissance Venice with this woodcut from page 112 (recto) of Cesare Vecellio *Corona delle Nobili ettuose Donne: Libro-IV* (1601). Vecellio, a Venetian engraver renowned for his detailed costume books like *De gli Habitiichi et Moderni*, crafted this four-volume celebration of noble and virtuous women. Adorned with intricate ornamental designs blending architecture and decorative motifs, page reflects the era's fascination with femininity, virtue, and opulent patterns—perfectly suited to its classification as Ornament & Architecture. Printed as a woodcut, a technique that allowed for precise, reproducible illustrations on a modest scale (5½ × 7⅝ inches), this work showcases Vecellio's mastery in capturing fine lines and textures through carved wooden blocks. Woodcuts democratized access to high art, enabling tailors, designers, and collectors to replicate motifs for embroidery, lace, or interiors. Produced at the dawn of the 17th century, it embodies Mannerist exuberance, where ornament served both aesthetic delight and social aspiration. Acquired through the Rogers Fund in 1918 and housed in the Metropolitan Museum of Art's Drawings and Prints department, this page offers a vivid glimpse into how Renaissance printmakers elevated everyday nobility into timeless iconography, inviting us to admire the artistry behind virtue's crown.

About the Artist

Cesare Vecellio · 1521–1601

Cesare was a distant cousin of the famous Titian, and studied in his shop. He was a member of the branch of Vecellio descended from Giovanni Antonio. He is best known for his prints; he published illustrated books on costume, embroidery and lacemaking, and other subjects. Francesco, Cesare, Orazio and Marco were the only family members allowed to use the appellation "di Tiziano." Comment on works:...