Artheon MuseumArtheonMuseum

明崇禎 景德鎮窯青花竹林七賢圖蓋盒|Covered box decorated with the Seven Sages of the Bamboo Grove

Unknown Artist

ca. 1640

明崇禎 景德鎮窯青花竹林七賢圖蓋盒|Covered box decorated with the Seven Sages of the Bamboo Grove by Unknown Artist

Medium

Porcelain painted in underglaze cobalt blue (Jingdezhen ware)

Dimensions

Box and cover: H. 4 3/4 in. (12.1 cm); Diam. 8 3/8 in. (21.3 cm) a. cover: H. 2 3/8 in. (6 cm); Diam. 8 3/8 in. (21.3 cm) b. box base: H. 2 1/2 in. (6.4 cm): Diam. 8 3/8 in. (21.3 cm)

Classification

Ceramics

Culture & Period

China · Ming dynasty (1368–1644)

Department

Asian Art

Museum

Metropolitan Museum of Art, New York, NY

Credit

Gift of Julia and John Curtis, in celebration of the Museum’s 150th anniversary, 2019

Accession Number

2019.446.1a, b

Rights

Public Domain

Art Historical Context

This exquisite covered box, crafted around 1640 during the Chongzhen reign of the Ming (1368–1644), exemplifies the pinnacle of Jingdezhen porcelain production. Made from fine white porcelain and painted in underglaze cobalt blue—a technique where cobalt pigment is applied to the unfired clay before glazing, then fired at high temperatures for vibrant, durable color—the box measures about 4¾ inches high and 8⅜ inches in diameter. Its vividly depicts the Seven Sages the Bamboo Grove, a group of third-century scholars reveling amid lush bamboo, blending scholarly pursuits with nature's serenity. Jingdezhen, China's imperial porcelain capital, was renowned for such blue-and-white wares, which combined technical innovation with aesthetic refinement. The underglaze method ensured colors wouldn't fade, making these pieces prized for both domestic elite use and export. Produced in the dynasty's waning years amid political upheaval, the box reflects Ming artistry's enduring elegance despite looming collapse. Culturally, the Seven Sages motif evokes Daoist ideals of reclusiveness and intellectual freedom, a nostalgic escape from worldly strife—especially resonant in the turbulent 17th century. Donated to the Metropolitan Museum of Art in 2019, this rare survivor invites us to appreciate the Ming's poetic fusion of utility and philosophy.

    Send Feedback

    We use this only to reply to your feedback.