Artheon MuseumArtheonMuseum
Crock by Nicholas Amantea

Medium

watercolor, graphite, and colored pencil on paperboard

Dimensions

overall: 29.2 x 23.2 cm (11 1/2 x 9 1/8 in.) Original IAD Object: 13" High 9 3/8" Dia(top) 6 5/8" Dia(base)

Classification

Index of American Design

Department

CG-W

Museum

National Gallery of Art, Washington, D.C.

Credit

Index of American Design

Accession Number

1943.8.6383

Rights

Public Domain

Art Historical Context

In the heart of the Great Depression, artist Nicholas Amantea captured the humble elegance of everyday American life with *Crock* (1936), a rendering now housed in the National Gallery of Art. Created as part of the Index of American Design Federal Art Project under the Works Progress Administration (WPA)—this watercolor, graphite, and colored work on paperboard (29.2 x 23.2 cm) depicts a classic stoneware storage vessel, or crock, standing 13 inches high with a 9 3/8-inch top diameter tapering to 6 5/8 inches at the base. These utilitarian pots, often used for preserving butter, pickles, or grains, embodied the sturdy craftsmanship of 19th-century American potters. Amantea's piece exemplifies the Index's mission: to document and celebrate the nation's folk art and design heritage through over 18,000 precise, colorful illustrations. His technique blends realistic graphite underdrawing with vibrant watercolors and colored pencil highlights, bringing the crock's glossy cobalt-blue glaze and subtle imperfections to life. This not only preserves vanishing artifacts but highlights their cultural role in rural households, where functionality met artisanal pride. Today, *Crock* invites visitors to appreciate how ordinary objects reflect America's inventive spirit, bridging colonial traditions with modern recognition. A testament to WPA-era creativity, it reminds us that beauty often hides in the everyday.

About the Artist

Nicholas Amantea · 19001978

Nicholas Amantea (1900–1978) was an American artist born on July 13, 1900, in Pittsburgh, Pennsylvania. His early life and artistic training are not well documented, but by the mid-1930s, he had established himself in New York City, where he contributed significantly to federal art initiatives during the Great Depression. From March 13, 1936, to July 15, 1942, Amantea worked for the Works Progress...

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