Cuneiform tablet impressed with cylinder seal: receipt of goats
Unknown Artist
ca. 2040 BCE
Medium
Clay
Dimensions
4.1 x 3.7 x 1.6 cm (1 5/8 x 1 1/2 x 5/8 in.)
Classification
Clay-Tablets-Inscribed-Seal Impressions
Culture & Period
Neo-Sumerian · Ur III
Department
Ancient Near Eastern Art
Museum
Metropolitan Museum of Art, New York, NY
Credit
Gift of Mrs. Henry E. Coe, 1957
Accession Number
57.16.3
Rights
Public Domain
Art Historical Context
Step back over 4,000 years to ancient Mesopotamia with this unassuming yet extraordinary clay tablet from the-Sumerian Ur III period, around 2040 BCE. just 4.1 x 3.7 x 1.6 cm, this small artifact from the Metropolitan Museum of Art Ancient Near Eastern collection records a simple yet vital transaction: a receipt for goats. Inscribed with cuneiform script—the world's earliest writing system—and impressed with cylinder seal, it exemplifies the bureaucratic precision of one of history's first great empires. Cylinder seals were a hallmark of Mesopotamian artistry and administration. Artisans carved intricate designs into stone cylinders, which were then rolled across wet clay to leave a raised, repeating impression, authenticating documents like this one. The seal here likely depicted symbolic motifs such as animals, deities, or officials, ensuring the goat delivery's legitimacy in a vast network of trade and tribute. This technique not only secured records but also turned everyday clay into portable art, blending utility with aesthetic sophistication. In the Ur III era, Sumer's third dynasty centralized power under kings like Shulgi, fostering unprecedented record-keeping that tracked everything from livestock to labor. This tablet offers a glimpse into daily economic life—goats as currency in a bustling agrarian society—revealing how ancient scribes sustained a complex civilization. A gift to the Met in 1957, it reminds us that even humble receipts hold the keys to humanity's organized past.