Artheon MuseumArtheonMuseum

Darius I Offering to Amun, Temple of Amun at Hibis

Charles K. Wilkinson

521–486 B.C.

Darius I Offering to Amun, Temple of Amun at Hibis by Charles K. Wilkinson

Medium

Tempera on paper

Dimensions

facsimile: h. 52 cm (20 1/2 in); w. 37.5 cm (14 3/4 in); scale about 1:8; framed: h. 55.2 cm (21 3/4 in); w. 40 cm (15 3/4 in)

Classification

Facsimile, Temple of Amun

Period

Late Period

Department

Egyptian Art

Museum

Metropolitan Museum of Art, New York, NY

Credit

Rogers Fund, 1948

Accession Number

48.105.6

Rights

Public Domain

Art Historical Context

This vibrant facsimile captures a sacred moment from the Temple of Amun at Hibis in Egypt’s Western Desert. Created during the reign of Darius I (521–486 B.C.), the scene shows the Persian king, dressed as a traditional pharaoh, presenting offerings to the god Amun. Dynasty 27, when Egypt was part of the vast Achaemenid Empire, this artwork illustrates how foreign rulers adopted Egyptian religious customs and artistic conventions to legitimize their authority. The original temple reliefs were painted in bright mineral colors on plastered walls, a technique that allowed vivid storytelling in sacred spaces. Charles K. Wilkinson’s 20th-century tempera copy faithfully reproduces the fine details of costume, gesture, and hieroglyphs, preserving the composition at roughly one-eighth its actual size. Such facsimiles were essential for the Metropolitan Museum’s Egyptian Expedition, bringing remote or fragile monuments to wider audiences. Today the work offers visitors a window into the Late Period’s cultural blending, where Persian sovereignty met ancient Egyptian tradition. Its presence in the Museum’s collection underscores the enduring power of Amun’s cult and the careful artistry that recorded royal piety across centuries.

About the Artist

Charles K. Wilkinson · 18971986

Charles K. Wilkinson (1897–1986), born Charles Kyrle Wilkinson in London on October 13, 1897, was the son of Horace W. Wilkinson, a stained-glass window maker, and Frances Adkins. Serving in World War I, he honed his artistic skills at the Slade School of Fine Art, University College London, where the influential director Henry Tonks shaped the rigorous training of a generation of draughtsmen. In ...

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