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Design for a Frieze with Putti carrying a Vine and Three Felines, Plate 11 from: 'Decorative friezes and foliage' (Ornamenti di fregi e fogliami)

Design for a Frieze with Putti carrying a Vine and Three Felines, Plate 11 from: 'Decorative friezes and foliage' (Ornamenti di fregi e fogliami) by Stefano della Bella|Nicolas Langlois

Medium

Etching

Dimensions

Sheet: 3 3/8 × 9 13/16 in. (8.5 × 25 cm)

Classification

Prints|Ornament & Architecture

Department

Drawings and Prints

Museum

Metropolitan Museum of Art, New York, NY

Credit

Bequest of Phyllis Massar, 2011

Accession Number

2012.136.100.7

Rights

Public Domain

Tags

PuttiAnimalsVines

Art Historical Context

This delightful etching, *Design for a Frieze with Putti a Vine and Three F*, is Plate 11 from Stefano della Bella's *Decorative Friezes and Foliage* (*Ornamenti di freg e fogliami*), around 1645–50. printmaker Stefano della Bella, renowned for his intricate Baroque designs, captures playful putti—those cherubic child figures symbolizing joy and abundance—hoisting a lush vine, accompanied by three lively felines. Published by Nicolas Langlois the print measures a modest 3 3/8 × 9 13/16 inches, perfect for architectural ornamentation. Della Bella's etching technique shines here, with fine, fluid lines etched into a metal plate using acid, allowing for exquisite detail in the twisting vines, furred cats, and dynamic poses. During the Baroque era, such frieze designs adorned palaces and churches, blending natural motifs with mythological whimsy to evoke movement and vitality. This work exemplifies the period's love for elaborate decoration, influencing European ornamental arts from Italy to France. A bequest to the Metropolitan Museum of Art in 2011, this print invites us to appreciate how 17th-century artists like della Bella turned everyday fantasy into timeless elegance, bridging art and architecture for grand interiors.

About the Artist

Stefano della Bella|Nicolas Langlois · 16101664

Stefano della Bella (1610-1664) was one of the most prolific and versatile printmakers of the Italian Baroque period, leaving behind 1,052 prints and several thousand drawings that captured the vivid essence of 17th-century European life. Born in Florence on May 18, 1610, to a family of artists, he trained initially as a goldsmith before studying painting under Cesare Dandini and etching under Rem...

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