Design for Knife Handles with Personifications of Peace and Faith

Art Historical Context

In the late 16th century, engraver Johann Theodor de crafted this delicate *Design for Knife Handles withifications of Peace and Faith (ca. 1580–1600), a testament to the Renaissance fascination with ornamental designs for everyday objects. Measuring just 3 9/16 × 2 7/16 inches, this tiny engraving served as a model for silversmiths, blending allegory with whimsy. Graceful female figures embody Peace—perhaps with doves or olive branches—and Faith, symbolized by a prominent cross—surrounded by playful birds, rabbits, and squirrels that evoke harmony with nature. De Bry, part of a renowned family of artists and publishers, excelled in intricate prints that bridged art and craft. Here, engraving and blackwork techniques—fine lines crossed with dense shading—create depth and texture on a miniature scale, ideal for translating to metal knife handles. Produced during a time of religious strife in Europe, the virtues of Peace and Faith carried profound cultural weight, reminding users of moral ideals amid turmoil. This charming print, now in the Metropolitan Museum of Art's Drawings and Prints department (gift of Lucien Goldschmidt, 1977), highlights how Renaissance ornament fused symbolism, utility, and delight, inviting us to appreciate the artistry in the smallest details.

About the Artist

Johann Theodor de Bry · 1561–1923

Comment on works: copper engraver