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Design for the Decoration of the Grip of a Pocket Pistol

Nicolas Noël Boutet

ca. 1797–1805

Design for the Decoration of the Grip of a Pocket Pistol by Nicolas Noël Boutet

Medium

Pencil, ink, gray wash on paper

Dimensions

3 5/8 x 2 13/16 in. (9.2 x 7.1 cm)

Classification

Works on Paper-Drawings

Culture

French, Versailles

Department

Arms and Armor

Museum

Metropolitan Museum of Art, New York, NY

Credit

Purchase, Clay P. Bedford Gift, 2004

Accession Number

2004.101.2

Rights

Public Domain

Tags

Ornament

Art Historical Context

This delicate drawing, titled *Design for the Decoration of the Grip a Pocket Pistol*, comes from the masterful hand of Nicolas Noël Boutet, a French gunsmith and director of the royal arms factory at Versailles. Created around 1797–1805 the turbulent post-Revolutionary era and rise of Napoleon, it exemplifies the exquisite ornamental designs that elevated firearms from mere tools of war to status symbols for the elite. At just 3⅝ × 2⅞ inches, this pencil, ink, and gray wash on paper captures intricate patterns destined for a concealed gentleman's weapon, blending functionality with artistry. Boutet's work reflects the opulent craftsmanship of Versailles, where luxury arms were produced for royalty and high-ranking officers. The gray wash technique adds subtle depth and shading, allowing the artist to preview how engraved or inlaid decorations—likely floral motifs or neoclassical flourishes—would adorn the pistol grip, enhancing its tactile elegance and visual appeal. Housed in the Metropolitan Museum of Art's Arms and Armor Department, this preparatory drawing highlights the intersection of fine art and weaponry, showcasing how 18th- and 19th-century French designers transformed everyday objects into canvases for ornamentation. Such designs were not just aesthetic; they symbolized power and refinement amid France's political upheavals, making this modest sheet a window into an era of gilded innovation.

About the Artist

Nicolas Noël Boutet · 17611833

French, Versailles and Paris, 1761–1833

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