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Design of a Flintlock, Side Plate, Butt Plate, and Trigger Guard, unnumbered plate from Nouveaux Desseins d'Arquebuserie Inventez et Gravez par Le Sr. Gillot

Design of a Flintlock, Side Plate, Butt Plate, and Trigger Guard, unnumbered plate from Nouveaux Desseins d'Arquebuserie Inventez et Gravez par Le Sr. Gillot by Claude Gillot

Medium

Etching, engraving

Dimensions

Sheet: 9 5/8 x 6 9/16 in. (24.4 x 16.6 cm)

Classification

Works on Paper-Engravings

Culture

French, Paris

Department

Arms and Armor

Museum

Metropolitan Museum of Art, New York, NY

Credit

Purchase, Arthur Ochs Sulzberger Gift, 2016

Accession Number

2016.403.8

Rights

Public Domain

Tags

Ornament

Art Historical Context

Claude Gillot’s elegant etching from around 1715 captures the refined artistry of early eighteenth-century French firearms decoration. Created in Paris during the transition from Baroque formality to the lighter Rococo style, the print presents detailed designs for a flintlock mechanism, side plate, butt plate, and trigger guard. These ornamental patterns were intended as models for gunsmiths crafting luxury weapons for the French aristocracy under the reign of Louis XV. As both inventor and engraver, Gillot combined precise line work with lively scrollwork and natural motifs typical of the period’s taste for graceful asymmetry. The medium of etching and engraving allowed these intricate designs to be widely reproduced, helping to spread fashionable ornamental ideas across Europe’s workshops. Though the sheet measures only about 9 5/8 by 6 9/16 inches, its fine detail reveals the high level of craftsmanship expected even in functional objects like firearms. Today this work on paper resides in the Metropolitan Museum’s Department of Arms and Armor, reminding visitors that gunmaking in the ancien régime was as much an art form as a military craft. Gillot’s designs highlight how ornament elevated everyday tools into expressions of status and cultural sophistication.

About the Artist

Claude Gillot · 16731722

Artist known for his elegant designs done in the Rococo manner of Audran; also for his predilection for scenes from the 'comedia dell'arte.' Few paintings survive; his work is known mainly through drawings and etchings. Comment on works: Genre; History

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