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Designs for Four Rings, Plate 35 from 'Livre d'Aneaux d'Orfevrerie'

Designs for Four Rings, Plate 35 from 'Livre d'Aneaux d'Orfevrerie' by Pierre Woeiriot de Bouzey II

Medium

Engraving

Dimensions

Plate: 2 11/16 × 1 7/8 in. (6.8 × 4.7 cm) [oval plate-damaged at right] Sheet: 3 1/16 × 2 3/16 in. (7.8 × 5.5 cm) [cut]

Classification

Prints|Ornament & Architecture

Department

Drawings and Prints

Museum

Metropolitan Museum of Art, New York, NY

Credit

Harris Brisbane Dick Fund, 1926

Accession Number

26.57.53

Rights

Public Domain

Tags

Rings

Art Historical Context

Step into the intricate world of 16th French goldsmithing with *Designs for Four Rings*, Plate 35 from Pierre Woeiriot de Bouzey II's *Livre d'Aneaux d'Orfevrerie* (Book of Goldsmith's Rings), created in 1561. Woeiriot, a Mannerist engraver, painter and jeweler from Lorraine, produced this pattern book to share elegant ring designs with artisans across Europe. During the Renaissance, such books were essential tools, bridging the gap between elite court tastes and workshop production, showcasing the era's fascination with opulent jewelry as symbols of wealth and status. This delicate engraving, measuring just 2 11/16 × 1 7/8 inches on its oval plate (now slightly damaged and cut), features precise illustrations of four ring designs—likely adorned with gems, motifs, and elaborate bands. Engraving's fine lines allowed for exact replication, making it ideal for translating complex ideas into wearable art. Woeiriot's Mannerist style shines through in the ornate, asymmetrical details, reflecting the period's shift from balanced Renaissance symmetry to playful intricacy. Housed in the Metropolitan Museum of Art's Drawings and Prints department (Harris Brisbane Dick Fund, 1926), this tiny treasure offers a glimpse into the collaborative craft of Renaissance luxury goods. Imagine these rings gracing the fingers of nobility—timeless emblems of artistry and aspiration.

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