Artheon MuseumArtheonMuseum

Distributor of the Holy Water (Le donneur d'eau benite)

Alphonse Legros

1826 to 1850

Distributor of the Holy Water (Le donneur d'eau benite) by Alphonse Legros

Medium

etching and drypoint?

Classification

Print

Department

CG-E

Museum

National Gallery of Art, Washington, D.C.

Credit

Rosenwald Collection

Accession Number

1943.3.5339

Rights

Public Domain

Art Historical Context

Alphonse Legros (7–1911), a French-born artist who later became a prominent figure Britain's art scene, created *Distributor of the Holy WaterLe donneur d'eauite)* during the mid-19th centuryca. 1826–1850). This intimate print captures a poignant moment of everyday religious devotion, likely depicting a church figure offering holy water to the faithful. As part of the Realism movement, Legros drew inspiration from masters like Rembrandt blending meticulous observation of human character with subtle spiritual depth, making sacred rituals feel vividly accessible. Executed in etching and drypoint—a technique where acid etches fine lines into a metal plate, enhanced by the burr from drypoint scratching for velvety textures—this work exemplifies the 19th-century Etching Revival. These methods allowed Legros to achieve rich tonal contrasts and expressive detail on a small scale, ideal for intimate study or contemplation. Housed in the National Gallery of Art's Rosenwald Collection, it reflects the era's fascination with printmaking as a democratic art form, bridging fine art and popular devotion. Legros's piece invites visitors to ponder the quiet drama of faith in 19th-century Europe, where such scenes bridged the secular and divine amid rapid social change. A gem for print enthusiasts, it showcases his mastery in evoking emotion through line alone.

About the Artist

Alphonse Legros · 18371911

Alphonse Legros (1837–1911) was born in Dijon, France, and trained in Paris at the drawing school of Horace Lecoq de Boisbaudran, whose unconventional teaching method — which emphasised memory drawing and acute observation over academic convention — would leave a lasting mark on Legros's practice. At Lecoq's school he formed friendships with Jules Dalou and Auguste Rodin that endured throughout hi...

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