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Enrico Orsini, died 1604 [obverse]

Enrico Orsini, died 1604 [obverse] by Italian 16th Century

Medium

bronze

Dimensions

overall (oval): 3.65 × 2.74 cm (1 7/16 × 1 1/16 in.) gross weight: 19.26 gr (0.042 lb.) axis: 12:00

Classification

Sculpture

Department

CSD

Museum

National Gallery of Art, Washington, D.C.

Credit

Samuel H. Kress Collection

Accession Number

1957.14.1090.a

Rights

Public Domain

Art Historical Context

This small oval bronze medal, created by an anonymous Italian artist in the 16th century, commemorates Enrico Orsini, a member of one of Renaissance Italy’s most influential noble families. Measuring just over an inch and a half wide, the piece was designed as a portable portrait, a format that allowed patrons to carry or exchange images of distinguished individuals much like modern keepsakes. The obverse side, shown here, would have featured Orsini’s likeness, while the medal’s modest weight and precise casting reflect the technical skill of Renaissance metalworkers. Portrait medals like this one held significant cultural importance during the period. They served both to honor the deceased and to preserve their memory among family, allies, and collectors. Produced in durable bronze, they combined sculpture and miniature art, often celebrating virtues, lineage, or achievements through carefully chosen imagery and inscriptions. Today, this work from the Samuel H. Kress Collection at the National Gallery of Art offers visitors a tangible connection to the social customs and artistic practices of 16th-century Italy, illustrating how even the smallest objects could convey lasting personal and historical meaning.

About the Artist

Italian 16th Century · 15001599

"Italian 16th Century" refers to a collective attribution for anonymous painters and sculptors active in Italy during the 16th century, a period bridging the High Renaissance and Mannerism. These artists, often working in workshops of masters like Titian, Veronese, and Tintoretto, remain unidentified due to the collaborative nature of Renaissance production. Their early lives and training are not ...

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