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藤原 行成書 白居易作 「醉吟先生傳」断簡|Excerpt from Bai Juyi's "Autobiography of a Master of Drunken Poetry Recitation"

藤原 行成書 白居易作 「醉吟先生傳」断簡|Excerpt from Bai Juyi's "Autobiography of a Master of Drunken Poetry Recitation" by Fujiwara no Yukinari (Kōzei)

Medium

Handscroll section mounted as a hanging scroll; ink on paper

Dimensions

Image: 10 13/16 × 3 3/8 in. (27.5 × 8.6 cm) Overall with mounting: 53 1/8 × 11 1/16 in. (134.9 × 28.1 cm) Overall with knobs: 53 1/8 × 12 7/8 in. (134.9 × 32.7 cm)

Classification

Calligraphy

Culture & Period

Japan · Heian period (794–1185)

Department

Asian Art

Museum

Metropolitan Museum of Art, New York, NY

Credit

Gift of Raymond and Priscilla Vickers, 2016

Accession Number

2016.745

Rights

Public Domain

Art Historical Context

This exquisite calligraphy fragment, created by the renowned Heian-period master Fujiwara no Yukinari (also known as Kōzei) in the early 11th century, preserves an excerpt from the Tang-dynasty Chinese poet Bai Juyi’s “Autobiography of a Master of Drunken Poetry Recitation.” During Japan’s Heian period, aristocratic culture flourished through the study and adaptation of Chinese literary classics, and Kōzei’s elegant brushwork exemplifies the refined taste of the era. As one of the “Three Brush Traces,” he helped define a distinctly Japanese calligraphic style that balanced Chinese models with native sensitivity. Originally part of a longer handscroll, this delicate ink-on-paper section has been remounted as a hanging scroll, allowing viewers to appreciate its intimate scale and fluid strokes up close. The medium itself reflects the Heian preference for portable, personal formats that invited quiet contemplation. Today, the work offers a rare glimpse into the cultural exchange between China and Japan, as well as the high regard in which poetry and calligraphy were held among the Heian elite.

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