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狩野探幽筆 『画苑』|Famous Themes for Painting Study Known as “The Garden of Painting” (Gaen)

狩野探幽筆 『画苑』|Famous Themes for Painting Study Known as “The Garden of Painting” (Gaen) by Kano Tan'yū

Medium

One of a pair of handscrolls; ink on paper

Dimensions

10 7/8 in. x 10 ft. 7 5/8 in. (27.6 x 324.2 cm)

Classification

Paintings

Culture & Period

Japan · Edo period (1615–1868)

Department

Asian Art

Museum

Metropolitan Museum of Art, New York, NY

Credit

The Harry G. C. Packard Collection of Asian Art, Gift of Harry G. C. Packard, and Purchase, Fletcher, Rogers, Harris Brisbane Dick, and Louis V. Bell Funds, Joseph Pulitzer Bequest, and The Annenberg Fund Inc. Gift, 1975

Accession Number

1975.268.52

Rights

Public Domain

Tags

Landscapes

Art Historical Context

Step into the refined world of Edo-period Japan with Kano Tan'yū's *Famous Themes for Painting Study Known as “The Garden Painting” (Gaen)*, created in 1670. This exquisite handscroll, one of a pair, unrolls to reveal a treasure trove of iconic landscape motifs serving as both an artistic showcase and a practical guide for aspiring painters. nearly 11 inches high and over 10 feet long, ink-on-paper format invites viewers to slowly reveal compositions that capture the essence of nature's grandeur—from misty mountains to serene waters—in the masterful tradition of the Kano school. As the preeminent artist of his time, Tan'yū (1602–1674) headed the Kano workshop, the official painters to the Tokugawa shogunate. During the peaceful Edo period (1615–1868), such works like *Gaen* epitomized the school's bold, decorative style, blending Chinese influences with Japanese sensibility. This scroll wasn't just decoration; it functioned as a "garden" of compositional ideas, helping students master canonical themes central to literati painting. Housed in the Metropolitan Museum of Art's Asian Art Department, this piece from The Harry G. C. Packard Collection highlights the enduring cultural role of handscrolls in Japan. They transformed viewing into a meditative journey, fostering artistic education and appreciation across generations.

About the Artist

Kano Tan'yū (Japanese) · 1602 1674

Japanese, 1602–1674

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