Farmstead, cows and herdsman in the foreground from Praediorum villarum et rusticarum casularum icones elenoantissimae ad vivum in apre deformatae
Medium
Etching; first state of three
Dimensions
Plate: 6 (cut at top) x 8 in. (15.2 (cut) x 20.3 cm) Sheet: 6 15/16 x 9 13/16 in. (17.7 x 25 cm)
Classification
Prints
Department
Drawings and Prints
Museum
Metropolitan Museum of Art, New York, NY
Credit
Rogers Fund, 1922
Accession Number
22.20.3
Rights
Public Domain
Tags
Art Historical Context
Welcome to the Metropolitan Museum of's Drawings and Prints collection, where we encounter *Farmstead, Cows and Herdsman in the Fore*, a captivating etching from around 1559–61. This first-state print, part of the series *Praediorumarum et rusticarum casularum icones elegantissima ad vivum in a deformatae* ("Elegant images of farms, villas, rustic cottages rendered in copper from life"), depicts a serene rural scene: a sturdy farmstead nestled amid trees, with cows grazing and a herdsman tending them in the foreground. The intricate details evoke the everyday rhythms of 16th-century Netherlandish agriculture. Crafted collaboratively by a stellar team—design influences from Pieter Bruegel the Elder and the Master of the Small Landscapes, engraving by Johannes and Lucas van Doetecum, and publication by Hieronymus Cock—this etching exemplifies the innovative printmaking techniques of the Antwerp school. Etching allowed for fine, expressive lines that captured the textures of foliage, animal forms, and rustic architecture with lifelike precision ("ad vivum"). As one of three states, this pristine early version highlights the evolution of reproductive prints, making high art accessible beyond paintings. These works hold cultural significance as early celebrations of landscape and peasant life, shifting focus from religious themes to the beauty of the commonplace. Acquired through the Rogers Fund in 1922, it invites us to appreciate how Bruegel's keen eye for human-nature harmony shaped the Northern Renaissance, reminding visitors of enduring rural traditions. (218 words)
About the Artist
Johannes van Doetecum I|Lucas van Doetecum|Hieronymus Cock|The Master of the Small Landscapes|Pieter Bruegel the Elder|Cornelis Cort (Netherlandish|Netherlandish) · 1528 |1527 –1605 |1606
Netherlandish, 1528/32–1605|Netherlandish, Leeuwarden 1527–1606 (?) Antwerp (?)