Fra Filippo Lippi, Enslaved in Algiers, Painting a Portrait of His Captor
Medium
etching, stipple, engraving, and printed tone on wove paper
Dimensions
sheet: 23.6 × 31.9 cm (9 5/16 × 12 9/16 in.) plate: 67.8 × 24.8 cm (26 11/16 × 9 3/4 in.)
Classification
Department
CG-E
Museum
National Gallery of Art, Washington, D.C.
Credit
Gift of the Estate of John Ellerton Lodge
Accession Number
1964.18.1
Rights
Public Domain
Art Historical Context
This intriguing print by Pierre-Nolasque Bergeret, created in 1838,izes a legendary episode from the life of the Italian Renaissance painter Fra Filippo Lip. The scene shows the captive artist, enslaved in Algiers, using his talent to portray hisor in a bid for freedom. Bergeret, a French artist known for his historical subjects, captures this moment of ingenuity and resilience with vivid narrative detail. The work reflects 19th-century fascination with dramatic artist biographies and encounters between European and North African cultures. Lippi, a 15th-century Carmelite friar and master of Florentine painting, was said to have been taken by pirates; the story, though likely embellished, highlights the power of art to transcend adversity. Executed through a combination of etching, stipple, engraving, and printed tone on wove paper, the print demonstrates the sophisticated reproductive techniques of the period. These methods allowed for rich tonal effects and fine detail, making such images widely accessible to audiences beyond the original painting.
About the Artist
Pierre-Nolasque Bergeret (British|French|British) · 1757 |1782 |1776 –1827 |1863 |1846
British, London 1757–1827 London|French, Bordeaux 1782–1863 Paris|British, London 1776–1846 London