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Fra Filippo Lippi, Enslaved in Algiers, Painting a Portrait of His Captor

Fra Filippo Lippi, Enslaved in Algiers, Painting a Portrait of His Captor by Pierre-Nolasque Bergeret

Medium

etching, stipple, engraving, and printed tone on wove paper

Dimensions

sheet: 23.6 × 31.9 cm (9 5/16 × 12 9/16 in.) plate: 67.8 × 24.8 cm (26 11/16 × 9 3/4 in.)

Classification

Print

Department

CG-E

Museum

National Gallery of Art, Washington, D.C.

Credit

Gift of the Estate of John Ellerton Lodge

Accession Number

1964.18.1

Rights

Public Domain

Art Historical Context

This intriguing print by Pierre-Nolasque Bergeret, created in 1838,izes a legendary episode from the life of the Italian Renaissance painter Fra Filippo Lip. The scene shows the captive artist, enslaved in Algiers, using his talent to portray hisor in a bid for freedom. Bergeret, a French artist known for his historical subjects, captures this moment of ingenuity and resilience with vivid narrative detail. The work reflects 19th-century fascination with dramatic artist biographies and encounters between European and North African cultures. Lippi, a 15th-century Carmelite friar and master of Florentine painting, was said to have been taken by pirates; the story, though likely embellished, highlights the power of art to transcend adversity. Executed through a combination of etching, stipple, engraving, and printed tone on wove paper, the print demonstrates the sophisticated reproductive techniques of the period. These methods allowed for rich tonal effects and fine detail, making such images widely accessible to audiences beyond the original painting.

About the Artist

Pierre-Nolasque Bergeret (British|French|British) · 1757 |1782 |1776 1827 |1863 |1846

British, London 1757–1827 London|French, Bordeaux 1782–1863 Paris|British, London 1776–1846 London

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