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Gaiety expressed by the ideas of lustfulness, cynicism and lewdness

Gaiety expressed by the ideas of lustfulness, cynicism and lewdness by Guillaume-Benjamin-Amant Duchenne (de Boulogne)

Medium

albumen print

Dimensions

image: 22.8 × 16.8 cm (9 × 6 5/8 in.) mount: 40 × 27.7 cm (15 3/4 × 10 7/8 in.)

Classification

Photograph

Department

CPH

Museum

National Gallery of Art, Washington, D.C.

Credit

Edward E. MacCrone Fund

Accession Number

2015.52.31

Rights

Public Domain

Art Historical Context

In the mid-19th century, French physician and photographer Guillaume-Benjaminmand Duchenne de Boune pioneered the scientific study of human emotions through photography. This striking albumen print from 1854–56, printed in 1862, capturesGaiety expressed by ideas of lustfulness, and lewdness" as part of his seminal album *Mécanisme de la physomie humaine* (Mechanism of Human Facial). Duchenne electrically stimulated facial muscles on live subjects—often elderly men from Parisian hospitals—to isolate "natural" expressions, blending art, medicine, and early psychology in a single image. The albumen process, using egg whites to bind light-sensitive chemicals to paper, produced the era's sharpest, most richly toned photographs, ideal for documenting subtle nuances like the wry smirk and arched brow here. This 22.8 × 16.8 cm image exemplifies how photography transitioned from portraiture to scientific tool, influencing thinkers like Charles Darwin, who cited Duchenne's work in *The Expression of the Emotions in Man and Animals* (1872). Today, this piece at the National Gallery of Art highlights the intersection of science and visual culture, reminding us how 19th-century innovations laid groundwork for modern neuroscience and emotive portraiture. A provocative window into Victorian-era explorations of the human face.

About the Artist

Guillaume-Benjamin-Amant Duchenne (de Boulogne)

Guillaume-Benjamin-Amant Duchenne de Boulogne (1806–1875) was a French neurologist whose pioneering use of photography to document human facial expression placed him at the unique intersection of medical science and visual art. Though primarily a physician rather than an artist in the conventional sense, his photographic work — produced in the 1850s and 1860s — has been recognized as a significant...

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