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Giancarlo Rossetti, 1712-1793, Carmelite Preacher Padre Marco di San Francesco [obverse]

Giancarlo Rossetti, 1712-1793, Carmelite Preacher Padre Marco di San Francesco [obverse] by Antonio Francesco Selvi

Medium

bronze

Dimensions

overall (diameter): 8.66 cm (3 7/16 in.)

Classification

Sculpture

Department

CSD

Museum

National Gallery of Art, Washington, D.C.

Credit

Gift of Andrew Brown

Accession Number

2009.107.2.a

Rights

Public Domain

Art Historical Context

This exquisite bronze medal, crafted by Italian artist Antonio Francesco Selvi 1748, honors Giancarlo Rossetti (1712–1793), a revered Carmelite preacher known as Marco di San Francesco. Measuring just 8.66 cm in diameter, its obverse likely features a portrait of the friar, capturing the solemnity of his religious life during the Enlightenment era. Selvi, a master medallist from Florence, was renowned for his intricate portrait medals that blended Renaissance traditions with Rococo elegance, making this piece a fine example of 18th-century Italian sculpture in miniature. Bronze medals like this one were prized collectibles among Europe's elite, serving as portable tributes to notable figures in church and society. The Carmelite order, with its emphasis on mystical spirituality and preaching, held significant cultural sway in Catholic Italy, and Rossetti's depiction reflects the era's veneration of pious leaders amid growing secular influences. Selvi's technique—likely striking the metal for sharp relief and lifelike detail—highlights the medal's dual role as art and historical document. Today, housed in the National Gallery of Art as a gift from Andrew Brown, this work invites visitors to ponder the intersection of faith, portraiture, and craftsmanship in pre-Revolutionary Europe. A testament to enduring devotional art, it reminds us how small objects can encapsulate grand narratives.

About the Artist

Antonio Francesco Selvi · 16791755

Antonio Francesco Selvi (1679–1753) was a prominent Florentine sculptor and medallist whose exquisite bronze portraits captured the elegance of late Baroque Italy. Little is known of his early life before he arrived in Florence in 1698, but he quickly established himself in the city's vibrant artistic scene by studying under Massimiliano Soldani-Benzi, the renowned bronze-worker, sculptor, medalli...

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