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Golden Gate, 1904 (from Sketchbook)

Golden Gate, 1904 (from Sketchbook) by Mary Newbold Sargent

Medium

Graphite on paper

Dimensions

5 7/8 x 8 5/8 in. (14.9 x 21.9 cm)

Classification

Drawing

Culture

American

Department

The American Wing

Museum

Metropolitan Museum of Art, New York, NY

Credit

Gift of Mrs. Francis Ormond, 1950

Accession Number

50.130.151u recto

Rights

Public Domain

Art Historical Context

Mary Newbold Sargent's *Golden Gate, 190 (from Sketchbook)* a intimate glimpse into early 20th-century American travel and observation. Rendered in graphite on a modest sheet of paper measuring just 5 7/8 x 8 5/8 inches, this sketch captures the dramatic vista of the Golden Gate iconic strait at the entrance to San Francisco Bay—long before the famous bridge spanned it. Created during a time when Americans were increasingly exploring the nation's western frontiers by rail and ship, the drawing reflects Sargent's keen eye for natural landmarks and her portable sketching practice. As a work in graphite, the piece highlights the medium's versatility for rapid, expressive lines and subtle shading, ideal for an artist's sketchbook on the go. Belonging to The American Wing at the Metropolitan Museum of Art, it exemplifies everyday American artistic production, gifted by Mrs. Francis Ormond in 1950. While Sargent's style draws from the observational precision of her era's illustrators and travelers, this unpretentious study underscores the value of sketches as foundational studies, preserving fleeting moments of awe-inspiring scenery for future generations.

About the Artist

Mary Newbold Sargent · 18261906

Mary Newbold Sargent (née Singer, 1826–1906) was born on April 24, 1826, in Philadelphia, Pennsylvania, to John Singer, a tanner and merchant, and Mary Smith Newbold. She married Dr. FitzWilliam Sargent, an eye surgeon, on June 27, 1850, in Philadelphia. The death of their first daughter, Mary Newbold Sargent (1851–1853), triggered a profound emotional crisis for Mary, prompting the family to aban...

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